1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX ; myvideolinks.net 3 00:00:14,196 --> 00:00:16,990 [ Woman ] ♪ LITTLE DARLIN' ♪ 4 00:00:16,990 --> 00:00:19,827 ♪ GOTTA GO NOW ♪ 5 00:00:19,827 --> 00:00:23,205 ♪ DON'T KNOW WHEN I'LL BE COMIN' BACK ♪ 6 00:00:24,580 --> 00:00:27,209 ♪ GOT MY FUTURE ♪ 7 00:00:27,209 --> 00:00:28,961 ♪ ALL PLANNED OUT ♪ 8 00:00:30,045 --> 00:00:32,965 ♪ I GOT MY BAGS PACKED ♪ 9 00:00:34,216 --> 00:00:38,178 ♪ THINGS DON'T ALWAYS TURN OUT RIGHT ♪ 10 00:00:38,178 --> 00:00:41,014 ♪ THAT'S JUST THE WAY IT GOES ♪ 11 00:00:43,934 --> 00:00:47,396 ♪ BUT BEFORE I LEAVE YOU ♪ 12 00:00:47,396 --> 00:00:50,983 ♪ THERE'S JUST A FEW THINGS YOU SHOULD KNOW ♪ 13 00:00:53,193 --> 00:00:56,071 ♪ DON'T TALK TO STRANGERS ♪ 14 00:00:56,071 --> 00:00:58,740 ♪ DON'T FORGET TO SAY YOUR PRAYERS AT NIGHT ♪ 15 00:00:58,740 --> 00:01:00,742 ♪ REMEMBER GOD HE MADE YOU ♪ 16 00:01:00,742 --> 00:01:03,453 ♪ AND ONE DAY HE'LL MAKE EVERYTHING ALL RIGHT ♪ 17 00:01:03,453 --> 00:01:05,956 ♪ DON'T CROSS ON THE YELLOW ♪ 18 00:01:05,956 --> 00:01:08,250 ♪ ALWAYS GOT TO WAIT FOR A GREEN LIGHT ♪ 19 00:01:08,250 --> 00:01:11,128 ♪ REMEMBER GOD HE MADE YOU ♪ 20 00:01:11,128 --> 00:01:13,213 ♪ AND ONE DAY HE'LL MAKE EVERYTHING ♪ 21 00:01:13,213 --> 00:01:19,552 ♪ ALL RIGHT ♪ 22 00:01:25,558 --> 00:01:28,228 ♪ LA-DA-DOO-DAH ♪♪ 23 00:01:40,157 --> 00:01:42,159 THOMAS, I WANT YOU HOME BY 3:00. 24 00:01:42,159 --> 00:01:45,204 NOT 3:30, NOT 3:15, BUT 3:00. 25 00:01:45,204 --> 00:01:47,206 Y-YES, MA'AM. 26 00:01:48,498 --> 00:01:51,210 COME ON, TRACY... DON'T! [ Growling ] 27 00:01:51,210 --> 00:01:53,086 DON'T! 28 00:01:53,962 --> 00:01:55,964 [ Growls ] 29 00:01:55,964 --> 00:01:57,883 DON'T FORGET HER BOTTLE. 30 00:02:02,763 --> 00:02:06,225 [ Growls, Groaning ] 31 00:02:10,187 --> 00:02:12,189 IF YOUR MAMA ISN'T HOME SOON, 32 00:02:12,189 --> 00:02:15,651 YOU'RE GONNA HAVE TO STAY HOME AND WATCH TRACY. 33 00:02:15,651 --> 00:02:18,654 WHY DON'T YOU READ A BOOK OR SOMETHIN' WHILE YOU'RE WAITIN'? 34 00:02:18,654 --> 00:02:20,656 [ Door Opens ] 35 00:02:20,656 --> 00:02:22,574 [ Woman ] LORETTA? 36 00:02:23,951 --> 00:02:26,369 LORETTA, WHERE HAVE YOU BEEN? 37 00:02:26,369 --> 00:02:29,289 [ Grunting ] 38 00:02:29,289 --> 00:02:31,583 HOW YOU GONNA FIND A JOB WHEN YOU OUT 39 00:02:31,583 --> 00:02:33,585 PLAYIN' ALL NIGHT? TELL ME THAT. 40 00:02:35,212 --> 00:02:37,214 COME ON, THOMAS. 41 00:02:40,217 --> 00:02:43,929 WE'VE ALREADY WASTED ENOUGH TIME THIS MORNING. 42 00:02:48,600 --> 00:02:51,728 [ Door Opens, Closes ] 43 00:03:01,572 --> 00:03:03,574 [ Snickers ] GOD! 44 00:03:03,574 --> 00:03:05,701 WHOO! 45 00:03:05,701 --> 00:03:07,578 ♪♪ [ Hip-Hop ] [ Man ] HEY, MISS ROSA. 46 00:03:07,578 --> 00:03:09,580 HEY, MARCO. EYES STRAIGHT AHEAD, PLEASE. 47 00:03:09,580 --> 00:03:12,583 YO, THOMAS, YOU ABOUT READY TO MAKE SOME REAL MONEY? 48 00:03:12,583 --> 00:03:14,876 YOU GET ALONG TO YOUR BUSINESS. GO ON! 49 00:03:14,876 --> 00:03:18,213 YOU STAY AWAY FROM MY THOMAS! 50 00:03:18,213 --> 00:03:20,215 YES, MA'AM. ANYTHING YOU SAY. 51 00:03:20,215 --> 00:03:23,218 BUT IS HE GONNA STAY AWAY FROM ME? 52 00:03:25,428 --> 00:03:27,430 I CAN DO IT. 53 00:03:27,430 --> 00:03:30,433 [ Man On Tape ] SAY "I CAN DO IT." 54 00:03:30,433 --> 00:03:32,435 I CAN DO IT. 55 00:03:32,435 --> 00:03:34,437 [ Man On Tape Continues, Indistinct ] 56 00:03:34,437 --> 00:03:36,314 I CAN DO IT. 57 00:03:40,401 --> 00:03:43,989 [ Man On Tape ] IF A BOY LIKE ME CAN DO IT, YOU CAN DO IT TOO. 58 00:03:43,989 --> 00:03:48,493 JUST SAY "I CAN DO IT." I CAN DO IT. I CAN DO IT. 59 00:03:48,493 --> 00:03:53,123 LISTEN, IF YOU SHOW UP, IF YOU'RE CLEAN AND SOBER... 60 00:03:53,123 --> 00:03:55,042 [ Conversation Continues ] 61 00:04:18,231 --> 00:04:20,192 LORETTA? 62 00:04:22,318 --> 00:04:25,489 THE DEVIL IS STRONG. 63 00:04:25,489 --> 00:04:27,406 SO STRONG. 64 00:04:40,796 --> 00:04:43,215 [ Bell Rings ] 65 00:04:45,217 --> 00:04:48,219 MORNIN', MISS ROSA. HOW YOU DOIN'? 66 00:04:50,931 --> 00:04:52,933 [ Woman ] WOULD YOU LOOK AT THAT? 67 00:04:52,933 --> 00:04:54,935 WE GOTTA CHECK OUTTA THE HOTEL. 68 00:04:56,478 --> 00:04:59,648 [ Man ] YOU KNOW CHECKOUT TIME IS NOON. [ Woman ] OKAY. 69 00:04:59,648 --> 00:05:02,192 THAT'LL BE FIVE DOLLARS, PLEASE. 70 00:05:02,192 --> 00:05:04,318 SHE'S ALREADY GOT A WHOLE SUITCASE FULL 71 00:05:04,318 --> 00:05:06,196 OF SOUVENIR JUNK TO DRAG BACK HOME. 72 00:05:06,196 --> 00:05:09,198 MAN, HOW MUCH YOU PAY TO SEE CHICAGO? 73 00:05:09,198 --> 00:05:12,326 WHAT'S ANOTHER FIVE DOLLARS JUST TO TAKE IT HOME WITH YOU? 74 00:05:12,326 --> 00:05:14,955 ALL RIGHT, ALL RIGHT. 75 00:05:14,955 --> 00:05:17,040 HERE YOU GO. THANK YOU VERY MUCH. 76 00:05:17,040 --> 00:05:19,501 YEAH, RIGHT. 77 00:05:24,089 --> 00:05:26,215 [ Panting ] [ Phone Ringing ] 78 00:05:28,217 --> 00:05:31,178 [ Ringing Continues ] [ Tracy Yells ] 79 00:05:33,932 --> 00:05:37,102 YEAH? [ Woman ] HAVE YOU GIVEN TRACY HER LUNCH YET? 80 00:05:37,102 --> 00:05:39,646 [ Tracy Yelling ] [ Sputters ] NO, NOT YET. 81 00:05:39,646 --> 00:05:41,230 I DIDN'T HAVE A CHANCE TO. 82 00:05:41,230 --> 00:05:43,650 DON'T TELL ME YOU'RE JUST WAKING UP. 83 00:05:43,650 --> 00:05:45,192 I WAS GETTING READY TO. 84 00:05:45,192 --> 00:05:46,820 AND WHEN ARE YOU GOING TO TAKE YOUR 85 00:05:46,820 --> 00:05:48,320 BABY DAUGHTER OUT OF THAT CRIB? 86 00:05:48,320 --> 00:05:50,949 YOU TELL ME THAT. I AM! I SAID I WAS, AND I AM. 87 00:05:50,949 --> 00:05:53,535 GET OFF MY BACK! YOU ALWAYS SAY YOU'RE GOING TO... 88 00:05:53,535 --> 00:05:55,871 TRACY, HONEY. [ Yelling Continues ] 89 00:05:55,871 --> 00:05:59,082 AAH! I'M GONNA GET YOU SOMETHING. 90 00:05:59,082 --> 00:06:01,543 [ Yelling ] 91 00:06:01,543 --> 00:06:04,087 COME HERE. [ Grunts ] 92 00:06:06,213 --> 00:06:09,216 [ Grunts ] 93 00:06:09,216 --> 00:06:12,219 AHH! CAN YOU SAY "MAMA"? 94 00:06:13,555 --> 00:06:15,974 "MAMA." 95 00:06:17,141 --> 00:06:19,226 CAN YOU SAY... 96 00:06:19,226 --> 00:06:21,438 "MA"? 97 00:06:25,191 --> 00:06:27,319 HMM. 98 00:06:32,198 --> 00:06:34,326 AHH! 99 00:06:35,494 --> 00:06:37,496 [ Belches ] 100 00:06:37,496 --> 00:06:40,332 [ Children Shouting, Chattering ] ♪ [ Hip-Hop Playing ] ♪ 101 00:07:10,194 --> 00:07:11,822 YOUR UNCLE EARL SAYS COUSIN RANKIN'S 102 00:07:11,822 --> 00:07:13,698 FUNERAL WAS REAL NICE. [ Distant Gunfire ] 103 00:07:13,698 --> 00:07:16,200 FOLKS CAME FROM ALL OVER THE COUNTY. 104 00:07:16,200 --> 00:07:18,537 AK-47? NOT ENOUGH SPIT. 105 00:07:18,537 --> 00:07:20,747 THAT BE A BIG MACK. POW-POW-POW-POW-POW! 106 00:07:20,747 --> 00:07:22,206 SHE WAS HAVING A BAD DAY. 107 00:07:22,206 --> 00:07:24,166 THAT AIN'T A BIG MACK. EARL SAYS THEY 108 00:07:24,166 --> 00:07:26,336 JUST BOUGHT THEMSELVES A BRAND-NEW CAR. 109 00:07:26,336 --> 00:07:29,213 MY, THEY MUST BE DOING WELL. 110 00:07:30,841 --> 00:07:33,426 IF HE'S SO RICH, HOW COME HE DON'T SEND US SOME MONEY? 111 00:07:33,426 --> 00:07:36,220 WE DON'T NEED ANYTHING FROM ANYBODY. 112 00:07:36,220 --> 00:07:38,265 WHAT HE DOIN' WRITING YOU? I THOUGHT 113 00:07:38,265 --> 00:07:40,225 YOU TWO DIDN'T GET ALONG TOO WELL. 114 00:07:40,225 --> 00:07:42,894 HE'S WRITING 'CAUSE HE WANTS SOMETHING FROM ME. 115 00:07:42,894 --> 00:07:46,523 WHAT DO WE HAVE THAT HE WANTS? [ Snickers ] 116 00:07:48,942 --> 00:07:53,446 WHY DON'T YOU GO UP TO RAYMOND'S AND WATCH TV FOR A WHILE? 117 00:07:53,446 --> 00:07:55,532 Y-YES, MA'AM. 118 00:07:55,532 --> 00:07:57,617 I WANT YOU HOME BY 10:00. 119 00:07:57,617 --> 00:07:59,244 YOU STAY OFF THAT ELEVATOR, AND DON'T 120 00:07:59,244 --> 00:08:00,954 MAKE ME COME UP THERE LOOKING FOR YOU. 121 00:08:00,954 --> 00:08:03,080 LORETTA, I HAVE TO TALK TO YOU. 122 00:08:03,080 --> 00:08:04,457 [ Sirens Wailing ] 123 00:08:04,457 --> 00:08:06,083 DO YOU EVER THINK ABOUT WHERE WE'RE 124 00:08:06,083 --> 00:08:07,460 GONNA BE FIVE YEARS FROM NOW? 125 00:08:08,795 --> 00:08:11,130 DEAD. 126 00:08:12,424 --> 00:08:14,926 ME FROM OLD AGE. 127 00:08:14,926 --> 00:08:17,304 YOU? FROM DRINKING. 128 00:08:17,304 --> 00:08:19,347 OR WORSE. 129 00:08:19,347 --> 00:08:22,225 THOMAS, SHOT UP IN THE STREET. 130 00:08:22,225 --> 00:08:25,854 YOU DON'T GET IT, DO YOU? YOU JUST DON'T GET IT. 131 00:08:25,854 --> 00:08:28,022 THERE ARE NO JOBS OUT THERE, 'CAUSE I HAVE 132 00:08:28,022 --> 00:08:30,149 LOOKED AND LOOKED AND LOOKED AND LOOKED. 133 00:08:30,149 --> 00:08:33,194 THERE'S GOT TO BE SOMETHING. I'M TELLING YOU, 134 00:08:33,194 --> 00:08:36,030 SOMETHING NEW HAPPENS IN THIS WORLD EVERY SINGLE DAY. 135 00:08:36,030 --> 00:08:39,074 YOU JUST GOTTA KEEP AT IT. 136 00:08:42,203 --> 00:08:46,208 SHE IS NOT YOUR FAULT. SHE IS A BLESSING. 137 00:08:48,209 --> 00:08:50,962 AND THE SOONER YOU REALIZE THAT, 138 00:08:50,962 --> 00:08:53,840 THE SOONER YOU'LL GET ON WITH YOUR LIFE. 139 00:08:53,840 --> 00:08:56,343 ♪♪ [ Muzak On P.A. ] 140 00:08:59,220 --> 00:09:01,681 OH, NO. GRANDMA ROSA SAID GET WHAT'S 141 00:09:01,681 --> 00:09:03,683 ON HER LIST AND NOTHING ELSE. 142 00:09:17,197 --> 00:09:19,324 HOW YOU DOIN'? 143 00:09:19,324 --> 00:09:21,326 LOOK AT THAT. 144 00:09:21,326 --> 00:09:24,954 BOY, I DO NOT DO ADDING AND SUBTRACTING TOO GOOD. 145 00:09:24,954 --> 00:09:27,207 THAT DOES IT FOR YOU. 146 00:09:27,207 --> 00:09:30,752 AND PLUS, IT'D GET GRANDMA ROSA OFF YOUR BACK. 147 00:09:32,212 --> 00:09:34,339 MM. 148 00:09:44,641 --> 00:09:46,934 HOW MUCH SCHOOLING YOU GIVING ME? 149 00:09:46,934 --> 00:09:49,854 ABOUT A COUPLE YEARS JUNIOR COLLEGE. 150 00:09:49,854 --> 00:09:51,981 IS THAT ENOUGH? 151 00:09:51,981 --> 00:09:54,275 [ Yawns ] 152 00:09:56,194 --> 00:09:59,322 ♪♪ [ Hums Beat ] 153 00:10:03,410 --> 00:10:05,704 YOU DON'T THINK I LOOK TOO FANCY? 154 00:10:05,704 --> 00:10:09,249 NO. THEY EXPECT YOU TO LOOK PROFESSIONAL. 155 00:10:09,249 --> 00:10:11,418 OH, HERE, MAMA. I WANT YOU TO LISTEN 156 00:10:11,418 --> 00:10:13,503 TO THIS ON YOUR WAY TO THE STORE. 157 00:10:13,503 --> 00:10:16,506 HEY! 158 00:10:16,506 --> 00:10:19,134 [ Man On Tape ] I DESERVE TO HAVE IT. 159 00:10:19,134 --> 00:10:20,218 WHAT IS THAT? 160 00:10:20,218 --> 00:10:22,345 IT'S A POSITIVE THINKING TAPE. IF 161 00:10:22,345 --> 00:10:24,681 YOU KEEP SAYING IT, YOU CAN DO IT. 162 00:10:24,681 --> 00:10:26,725 YES. JUST BE SURE YOU PUT THAT THING 163 00:10:26,725 --> 00:10:28,685 AWAY WHEN THEY'RE TALKING TO YOU. 164 00:10:28,685 --> 00:10:32,230 [ Snorts ] I AIN'T TAKING "NO" FOR AN ANSWER THIS TIME. 165 00:10:33,398 --> 00:10:37,318 OKAY. SO, WISH ME LUCK. 166 00:10:37,318 --> 00:10:40,280 [ Rosa ] GOOD LUCK. LORETTA? 167 00:10:41,448 --> 00:10:45,118 CALL ME THE VERY MINUTE YOU GET THAT JOB. 168 00:10:45,118 --> 00:10:48,038 [ Guffaws ] [ Yells ] 169 00:10:49,205 --> 00:10:52,125 OH! HMM. 170 00:10:54,753 --> 00:10:58,506 [ Man On Tape ] SAY "I CAN DO IT." I CAN DO IT. 171 00:10:58,506 --> 00:11:02,218 "I CAN DO IT." I CAN DO IT. 172 00:11:11,227 --> 00:11:13,229 [ Electronic Beep ] UM, UH, HEY. 173 00:11:13,229 --> 00:11:15,190 I'M HERE. 174 00:11:15,190 --> 00:11:19,235 I, UH, HAVE MY APPLICATION FOR THE CASHIER JOB. 175 00:11:25,991 --> 00:11:28,952 THE JOB PAYS MINIMUM WAGE. 176 00:11:28,952 --> 00:11:31,372 IF YOU'RE LUCKY ENOUGH TO GET IN 30 177 00:11:31,372 --> 00:11:34,209 HOURS, YOU'LL TAKE HOME ABOUT 110 A WEEK. 178 00:11:34,209 --> 00:11:38,046 THE FIRST TIME YOU DON'T SHOW UP, YOU'RE OUT OF HERE, OKAY? 179 00:11:39,214 --> 00:11:41,800 AND, UH, ONE MORE THING... 180 00:11:41,800 --> 00:11:44,094 A BASIC MATH TEST JUST TO MAKE SURE 181 00:11:44,094 --> 00:11:46,221 YOU KNOW YOUR DOLLARS AND CENTS. 182 00:11:47,930 --> 00:11:52,227 UH... I THOUGHT THE MACHINE DID THE FIGURING. 183 00:11:52,227 --> 00:11:54,979 MOST OF THE TIME, BUT SOMETIMES IT BREAKS DOWN, 184 00:11:54,979 --> 00:11:57,732 AND THE CHECKOUT CLERKS HAVE TO DO THINGS MANUALLY. 185 00:11:57,732 --> 00:12:01,152 SO, MISS, UM... SINCLAIR, 186 00:12:02,445 --> 00:12:06,199 WHAT IS $5 MINUS $3.87? 187 00:12:09,202 --> 00:12:11,204 UM... 188 00:12:11,204 --> 00:12:14,332 IS IT SOMETHING ELSE THAT I COULD DO? 189 00:12:14,332 --> 00:12:17,835 I COULD PUT STUFF ON THE SHELF. I'LL MOP. 190 00:12:17,835 --> 00:12:20,213 JUST, YOU KNOW, ANYTHING... 191 00:12:59,586 --> 00:13:02,213 [ Chattering, Shouting ] 192 00:13:13,224 --> 00:13:15,476 AHH! 193 00:13:43,712 --> 00:13:46,341 ♪♪ [ Rap Music Playing ] [ People Chattering ] 194 00:13:50,719 --> 00:13:53,764 HEY, LORETTA. HEY, MARCO. 195 00:13:53,764 --> 00:13:55,682 OOH-HOO! 196 00:13:56,976 --> 00:14:00,980 YOU KNOW, I ALWAYS GOT A LITTLE PARTY GOING ON. 197 00:14:02,148 --> 00:14:04,691 I'M IN ENOUGH TROUBLE AS IT IS. 198 00:14:09,197 --> 00:14:11,616 ♪♪ [ Continues ] 199 00:14:16,079 --> 00:14:18,164 GIVE ME A LIGHT. 200 00:14:18,164 --> 00:14:21,334 ♪ YEAH, THIS IS NO-MAN'S-LAND ♪ 201 00:14:21,334 --> 00:14:25,671 [ Tracy Grunting ] YOU NEED TO WATCH TRACY FOR A WHILE. 202 00:14:25,671 --> 00:14:28,341 DID SHE GET THE JOB? I DON'T KNOW. 203 00:14:28,341 --> 00:14:31,094 ♪♪ [ Rap ] 204 00:14:34,222 --> 00:14:36,349 ♪♪ [ Volume Decreases ] HAVE YOU SEEN LORETTA? 205 00:14:47,819 --> 00:14:50,530 [ Inhales Deeply, Sniffs ] 206 00:14:52,323 --> 00:14:55,742 [ Gulps, Coughs ] 207 00:14:55,742 --> 00:14:57,744 OOH, NO, HONEY. 208 00:14:57,744 --> 00:15:00,622 ONCE YOU START IN ON THAT STUFF, THERE AIN'T NO TURNING BACK. 209 00:15:07,671 --> 00:15:11,217 [ Knock At Door, Door Buzzing ] 210 00:15:11,217 --> 00:15:13,344 [ Buzzing ] LORETTA! 211 00:15:14,929 --> 00:15:16,973 [ Knocking, Buzzing Continues ] 212 00:15:16,973 --> 00:15:20,226 I WILL COME IN THERE AND GET YOU! OPEN... 213 00:15:20,226 --> 00:15:23,187 [ Shouts ] WHAT? WHAT? 214 00:15:26,190 --> 00:15:29,152 [ Woman Coughing, Bottle Rattling ] 215 00:15:30,403 --> 00:15:33,406 [ Coughing Continues ] 216 00:15:38,161 --> 00:15:40,204 COME ON HOME. 217 00:15:59,556 --> 00:16:01,809 [ Loretta Gulps ] 218 00:16:18,201 --> 00:16:20,745 [ Sighs ] 219 00:16:32,757 --> 00:16:34,967 ALL RIGHT. 220 00:16:36,928 --> 00:16:39,055 ALL RIGHT. 221 00:16:40,681 --> 00:16:43,226 ALL RIGHT, MISS LORETTA. 222 00:16:45,978 --> 00:16:50,191 PRETTY SOON WE GONNA HAVE ENOUGH TO BUY A NEW TV. 223 00:16:53,194 --> 00:16:56,823 YOU FIND HER? UH-HUH. 224 00:16:56,823 --> 00:17:01,035 - SHE STILL GOT MY WALKMAN? - PROBABLY WITH THE TV BY NOW. 225 00:17:01,035 --> 00:17:04,163 WHY DOES SHE ALWAYS DO THAT? 226 00:17:04,163 --> 00:17:06,416 SEEMS LIKE EVERY TIME WE GET SOMETHING, 227 00:17:06,416 --> 00:17:08,376 SHE FINDS SOME WAY TO MESS IT UP. 228 00:17:08,376 --> 00:17:11,671 - SHE'S NOT HERSELF, THOMAS. - SHE'S NOTHIN'! 229 00:17:17,051 --> 00:17:20,221 [ Yelling ] 230 00:17:20,221 --> 00:17:22,223 [ Yelling Continues ] 231 00:17:24,225 --> 00:17:26,644 [ Tracy Panting ] 232 00:17:37,487 --> 00:17:40,199 [ Yelling Continues ] [ Line Ringing ] 233 00:17:41,200 --> 00:17:44,787 [ Man ] HELLO? HELLO. EARL? 234 00:17:44,787 --> 00:17:48,082 MM. THIS IS ROSA LYNN. 235 00:17:48,082 --> 00:17:50,084 MM-HMM. 236 00:17:50,084 --> 00:17:53,129 EARL? MM-HMM. I'M HERE. 237 00:17:53,129 --> 00:17:55,047 IT'S TIME TO TALK. 238 00:17:55,047 --> 00:17:59,218 I WANT TO SEND LORETTA AND THE CHILDREN TO YOU THIS SUMMER. NO! 239 00:17:59,218 --> 00:18:01,179 NO! NOW, YOU LISTEN TO ME, ROSA LYNN... 240 00:18:01,179 --> 00:18:02,430 SHE'S YOUR NIECE, EARL! 241 00:18:02,430 --> 00:18:04,724 I KNOW SHE'S MY NIECE, EVEN THOUGH I 242 00:18:04,724 --> 00:18:07,268 HAVEN'T SEEN HER SINCE HER FATHER DIED. 243 00:18:07,268 --> 00:18:10,855 EARL, I KNOW YOU'VE NEVER FORGIVEN ME... 244 00:18:10,855 --> 00:18:13,232 FOR BURYING CLAYTON UP HERE INSTEAD OF IN 245 00:18:13,232 --> 00:18:15,525 THE FAMILY CEMETERY DOWN IN THE DELTA, 246 00:18:15,525 --> 00:18:18,154 BUT WE'RE TALKING BLOOD FAMILY, YOUR OWN 247 00:18:18,154 --> 00:18:21,115 BROTHER'S DAUGHTER, AND THEY NEED YOUR HELP. 248 00:18:21,115 --> 00:18:23,326 YOU GONNA SEND NATHAN WITH THEM? 249 00:18:23,326 --> 00:18:25,119 I MOST CERTAINLY AM NOT. 250 00:18:25,119 --> 00:18:27,121 WELL, HE BELONGS HERE. 251 00:18:28,289 --> 00:18:32,001 BELONGS RIGHT HERE IN THIS HOUSE, AND YOU KNOW IT. 252 00:18:32,001 --> 00:18:35,213 NEVER SHOULD'VE BEEN KIDNAPPED TO CHICAGO IN THE FIRST PLACE. 253 00:18:35,213 --> 00:18:37,840 HE WAS NOT KIDNAPPED, EARL! 254 00:18:37,840 --> 00:18:40,425 AND YOU KNOW THE FAMILY TRADITION. 255 00:18:40,425 --> 00:18:44,055 NATHAN GETS PASSED DOWN FROM OLDEST CHILD TO OLDEST CHILD, 256 00:18:44,055 --> 00:18:48,226 SO HE STAYS RIGHT UP HERE UNTIL THOMAS COMES OF AGE. 257 00:18:48,226 --> 00:18:51,020 NOW, THAT'S SOMETHING WE SHOULD BE TALKING ABOUT. 258 00:18:51,020 --> 00:18:54,816 IF IT COMES DOWN TO IT, I'LL SELL NATHAN IF I HAVE TO. 259 00:18:54,816 --> 00:18:57,902 SELL NATHAN? WHAT ARE YOU TALKING ABOUT? YOU CRAZY? 260 00:18:57,902 --> 00:19:01,155 IF I HAVE TO CHOOSE BETWEEN SAVING NATHAN... 261 00:19:01,155 --> 00:19:04,283 AND SAVING MY FAMILY, YOU KNOW WHAT I'LL CHOOSE. 262 00:19:05,535 --> 00:19:09,412 WELL... ONLY FOR THE SUMMER. 263 00:19:10,957 --> 00:19:13,668 AND THEY GOTTA BE QUIET AROUND ANNIE. 264 00:19:13,668 --> 00:19:18,089 YES, EARL, I UNDERSTAND, AND THEY WILL TOO. 265 00:19:18,089 --> 00:19:20,423 GOOD-BYE, EARL. MM. 266 00:19:21,551 --> 00:19:24,637 OH, AND, EARL? MM. 267 00:19:24,637 --> 00:19:26,639 THANK YOU. 268 00:19:26,639 --> 00:19:28,849 HM. 269 00:19:38,067 --> 00:19:40,069 ANNIE? 270 00:19:40,069 --> 00:19:43,197 MM. MM. ANNIE! 271 00:19:43,197 --> 00:19:45,783 NO. 272 00:19:45,783 --> 00:19:49,078 NO. NO, NO, NO. 273 00:19:49,078 --> 00:19:51,205 COME ON. SIT DOWN. [ Grunting ] 274 00:19:51,205 --> 00:19:53,541 COME ON, COME ON. THATAWAY. 275 00:19:53,541 --> 00:19:56,043 [ Moans ] COME ON. 276 00:19:56,043 --> 00:19:58,170 OH, LOOK. 277 00:20:00,214 --> 00:20:02,675 OH! [ Chuckles ] 278 00:20:02,675 --> 00:20:05,636 LOOK AT THAT. HUH? 279 00:20:05,636 --> 00:20:08,346 HMM? THERE. HUH? 280 00:20:10,057 --> 00:20:12,226 THAT'S RIGHT. THAT'S RIGHT. 281 00:20:12,226 --> 00:20:15,187 MM-HMM. THAT'S RIGHT. MM. MM. 282 00:20:19,609 --> 00:20:21,861 ♪♪ [ Humming ] 283 00:20:26,699 --> 00:20:31,037 NO. NO, NO. 284 00:20:31,037 --> 00:20:33,205 NO, NO. 285 00:20:34,289 --> 00:20:38,252 NO. NO, NO. 286 00:20:48,638 --> 00:20:50,640 OH... 287 00:20:50,640 --> 00:20:52,892 [ Clears Throat Loudly ] 288 00:20:52,892 --> 00:20:55,227 I... [ Clears Throat ] 289 00:20:55,227 --> 00:20:59,314 I KNOW, I KNOW, I KNOW. WE GOT TO TALK. 290 00:20:59,314 --> 00:21:01,776 I'M THROUGH TALKING. I'M THROUGH TALKING FOREVER. 291 00:21:01,776 --> 00:21:06,030 I CAN'T RAISE YOUR CHILDREN, AND THEY CAN'T RAISE THEMSELVES! 292 00:21:06,030 --> 00:21:09,158 SO, YOU'RE GONNA DO EXACTLY AS I TELL YOU, 293 00:21:09,158 --> 00:21:12,243 OR I AM CALLING CHILD WELFARE IN THE MORNING. 294 00:21:15,081 --> 00:21:16,624 I'M SORRY. I'M SO... 295 00:21:16,624 --> 00:21:19,794 AIN'T THAT MUCH SORRY IN THE WORLD, MAMA. 296 00:21:37,603 --> 00:21:40,147 [ Door Opens, Closes ] 297 00:21:43,109 --> 00:21:45,194 AND DOWN IN THE DELTA, THERE ARE 298 00:21:45,194 --> 00:21:47,738 GREAT BIG FIELDS TO RUN AND PLAY IN, 299 00:21:47,738 --> 00:21:51,158 AND NOBODY'S CHASING AFTER YOU BUT YOUR OWN SHADOW. 300 00:21:51,158 --> 00:21:55,203 THEM FIELDS GOT BIG SNAKES, TOO, THOMAS. BIG OLD SNAKES. 301 00:21:55,203 --> 00:21:58,040 THEY GOT MORE KINDS OF SNAKES THAN WE GOT RATS. 302 00:21:58,040 --> 00:22:01,209 THEY REALLY GOT LOTS OF SNAKES DOWN THERE? DON'T LISTEN TO HER. 303 00:22:01,209 --> 00:22:04,130 SHE'S JUST MAD BECAUSE IT'S A DRY COUNTY. GOOD. 304 00:22:04,130 --> 00:22:08,299 BESIDES, IF YOU DON'T WANT TO PLAY IN THE FIELDS, 305 00:22:08,299 --> 00:22:10,511 YOU CAN LEARN HOW TO SWIM. 306 00:22:10,511 --> 00:22:14,140 THEM SNAKES CAN SWIM. [ Laughing ] 307 00:22:14,140 --> 00:22:17,143 WH-WHAT ARE WE DOING AT THIS PLACE? 308 00:22:17,143 --> 00:22:20,186 WE'RE GETTING MONEY TO BUY BUS TICKETS. 309 00:22:21,271 --> 00:22:23,816 [ Door Buzzing ] 310 00:22:25,568 --> 00:22:28,487 HEY, LORETTA! YOU GOT SOMETHING FOR ME TODAY? 311 00:22:28,487 --> 00:22:31,532 [ Rosa ] I MIGHT HAVE SOMETHING. 312 00:22:46,672 --> 00:22:48,382 NATHAN! 313 00:22:48,382 --> 00:22:51,176 [ Pawnbroker ] SILVER PLATE. MAYBE A HUNDRED. 314 00:22:51,176 --> 00:22:54,346 SOLID STERLING. NOTHING LESS THAN $500. 315 00:22:54,346 --> 00:22:57,223 CAN'T BE ANY OLDER THAN 1950s. 316 00:22:57,223 --> 00:23:00,226 MAYBE I GO AS HIGH AS 200. MAYBE. 317 00:23:00,226 --> 00:23:04,523 ANTIQUE SILVER, I'LL HAVE YOU KNOW. 1852. 318 00:23:04,523 --> 00:23:07,150 LOOK CLOSE HERE ON THE BOTTOM. 319 00:23:07,150 --> 00:23:10,988 SILVERSMITH, SIGNED, ENGRAVED AND DATED. 320 00:23:10,988 --> 00:23:13,741 WH-WHERE HAS HE BEEN ALL THIS TIME? 321 00:23:13,741 --> 00:23:16,368 HE'S BEEN UNDER SAFE LOCK AND KEY AT THE CHURCH. 322 00:23:16,368 --> 00:23:19,955 EASILY 450. AMERICAN, 300. 323 00:23:19,955 --> 00:23:23,042 BRITISH, FOUR. ALL RIGHT, 350. 324 00:23:23,042 --> 00:23:25,628 FINAL OFFER, OR ELSE YOU CAN GO SOMEPLACE ELSE. 325 00:23:25,628 --> 00:23:28,213 THREE HUNDRED AND SEVENTY-FIVE, AND IT'S DONE. DONE. 326 00:23:28,213 --> 00:23:32,635 NO, NO, YOU CAN'T DO IT. NATHAN IS TOO IMPORTANT. 327 00:23:32,635 --> 00:23:35,471 MORE IMPORTANT THAN WHAT, LORETTA? 328 00:23:35,471 --> 00:23:37,640 WHAT'S THE POINT IN SAVING NATHAN FOR THE 329 00:23:37,640 --> 00:23:40,059 NEXT GENERATION WHEN THE NEXT GENERATION... 330 00:23:40,059 --> 00:23:42,853 ISN'T GONNA BE THERE? 331 00:23:42,853 --> 00:23:45,188 HE BEEN IN OUR FAMILY FOREVER, MAMA. 332 00:23:46,189 --> 00:23:49,026 AND HE CAN STAY IN THE FAMILY TOO. 333 00:23:49,026 --> 00:23:50,945 IT'S ALL UP TO YOU. 334 00:23:52,195 --> 00:23:55,991 [ Scoffs ] $375. 335 00:23:55,991 --> 00:23:58,536 YOU GOT UNTIL SEPTEMBER 5. 336 00:23:59,995 --> 00:24:02,289 THOMAS, DID YOU BRING THAT CAMERA? 337 00:24:02,289 --> 00:24:03,164 YES, MA'AM. 338 00:24:04,875 --> 00:24:08,127 MAY I STAND IN THERE? 339 00:24:08,127 --> 00:24:10,422 YOU HEAR THAT, LORETTA? 340 00:24:10,422 --> 00:24:13,425 YOU'VE GOT UNTIL SEPTEMBER 5 TO MAKE ENOUGH MONEY... 341 00:24:13,425 --> 00:24:17,304 TO BRING YOURSELF HOME AND RESCUE NATHAN. 342 00:24:17,304 --> 00:24:19,932 NOW, THOMAS. 343 00:24:27,481 --> 00:24:30,985 YOU TAKE GOOD CARE OF MY NATHAN. 344 00:24:30,985 --> 00:24:33,779 WE'LL BE BACK WITH YOUR MONEY. 345 00:24:35,406 --> 00:24:37,700 [ Pawnbroker ] I HOPE NOT. 346 00:24:37,700 --> 00:24:40,035 THIS'LL MELT DOWN REAL NICE. 347 00:24:49,211 --> 00:24:52,214 HERE. THIS BELONGS TO YOU. I AIN'T TAKING IT. 348 00:24:53,799 --> 00:24:56,010 FINE. 349 00:24:56,010 --> 00:24:59,221 COME ON, THOMAS. WE HAVE TO GO BUY BUS TICKETS. 350 00:24:59,221 --> 00:25:02,056 DON'T YOU DARE LOOK BACK. 351 00:25:04,100 --> 00:25:07,229 SHIT. 352 00:25:07,229 --> 00:25:09,189 BE SURE TO CALL ME COLLECT WHEN 353 00:25:09,189 --> 00:25:11,483 YOU'RE CHANGING BUSES IN MEMPHIS. 354 00:25:11,483 --> 00:25:13,903 AND EAT ONLY THE FOOD I PACKED FOR YOU. 355 00:25:13,903 --> 00:25:15,905 DON'T TAKE FOOD FROM STRANGERS. 356 00:25:15,905 --> 00:25:18,031 THOMAS. THOMAS. 357 00:25:18,031 --> 00:25:21,201 BE SURE YOU SHOW YOUR UNCLE EARL RESPECT. 358 00:25:21,201 --> 00:25:23,329 BYE, GRANDMA. 359 00:25:23,329 --> 00:25:25,789 DON'T LOOK SO DOWN. YOU ARE GOING 360 00:25:25,789 --> 00:25:27,917 TO HAVE SUCH A NICE SUMMER, 361 00:25:27,917 --> 00:25:30,294 AND YOU'LL BE HOME BEFORE YOU KNOW IT. 362 00:25:30,294 --> 00:25:32,504 [ Man On P.A. ] MAY I HAVE YOUR ATTENTION, PLEASE. 363 00:25:32,504 --> 00:25:35,131 THE SOUTHERN TRAVELLER, BOUND FOR BILOXI, MISSISSIPPI, 364 00:25:35,131 --> 00:25:37,676 WITH TRANSFERS TO NASHVILLE AND MONTGOMERY, BYE-BYE, TRACY. 365 00:25:37,676 --> 00:25:39,762 IS NOW BOARDING. 366 00:25:39,762 --> 00:25:42,598 ALL PASSENGERS ARE ASKED TO BOARD AT THIS TIME. LORETTA. 367 00:25:52,900 --> 00:25:56,195 LORETTA, DAUGHTER... 368 00:25:57,196 --> 00:25:59,198 I WANT YOU... 369 00:26:01,575 --> 00:26:04,203 HAVE A WONDERFUL JOURNEY. 370 00:26:10,041 --> 00:26:13,170 AND BE SURE TO GIVE EARL THAT PICTURE. 371 00:26:14,755 --> 00:26:18,217 AND DON'T SAY ANYTHING ABOUT NATHAN BEING IN THE PAWN SHOP. 372 00:26:18,217 --> 00:26:20,219 YOU HEAR ME? 373 00:26:20,219 --> 00:26:23,514 I HEAR YOU. THE WHOLE DAMN WORLD HEAR YOU. BYE. 374 00:26:27,058 --> 00:26:29,060 [ Whispers ] BYE-BYE. 375 00:26:29,060 --> 00:26:33,232 ♪ FIGHTIN' JUST TO STAY ALIVE ♪ [ Tracy Yelling ] 376 00:26:33,232 --> 00:26:37,861 ♪ DAILY STRUGGLE TO SURVIVE ♪ 377 00:26:37,861 --> 00:26:42,199 ♪ CAN'T WIN FOR LOSIN' SO IT SEEMS ♪ [ Tracy Yelling ] 378 00:26:42,199 --> 00:26:47,204 ♪ SOMETHING'S ALWAYS DARK IN YOUR DREAMS, YEAH ♪ 379 00:26:47,204 --> 00:26:51,375 ♪ NO ONE EVER SEEMS TO CARE ♪ 380 00:26:51,375 --> 00:26:55,212 ♪ FEELS LIKE MORE THAT YOU CAN BEAR ♪ [ Tracy Yelling ] 381 00:26:55,212 --> 00:26:58,215 ♪ UH-HUH-HUH AH ♪ 382 00:26:58,215 --> 00:27:00,718 ♪ JUST LIFT YOUR HEAD UP ♪ ♪ LIFT YOUR HEAD ♪ 383 00:27:00,718 --> 00:27:03,052 ♪ EVERYTHING IS GONNA GET BETTER ♪ ♪ EVERYTHING ♪ 384 00:27:03,052 --> 00:27:06,098 ♪ GOTTA KEEP ON KEEPING ON NO MATTER WHAT ♪ ♪ KEEP ON ♪ 385 00:27:06,098 --> 00:27:09,226 ♪ HEY ♪ ♪ DON'T LET NOTHING KEEP YOU DOWN NOW ♪ 386 00:27:09,226 --> 00:27:11,228 ♪ DON'T LET NOTHING KEEP YOU DOWN ♪ 387 00:27:11,228 --> 00:27:13,522 ♪ DON'T LET NOTHING KEEP YOU DOWN NOW ♪ 388 00:27:13,522 --> 00:27:16,191 ♪ DON'T LET NOTHING GET YOU DOWN ♪ 389 00:27:16,191 --> 00:27:19,902 ♪ DON'T LET NOTHING TURN YOU ROUND NOW ♪ ♪♪ [ Vocalizing ] 390 00:27:19,902 --> 00:27:24,032 ♪ DON'T LET NOTHING GET YOU DOWN NOW ♪ ♪ NO, NO, NO, NO ♪♪ 391 00:27:24,032 --> 00:27:27,411 [ Yelling ] [ Man ] SOMETHING WRONG WITH HER. 392 00:27:27,411 --> 00:27:31,206 [ Yelling Continues ] SISTER! HOW WAS YOUR TRIP? 393 00:27:31,206 --> 00:27:35,044 OH, YOU MUST BE SO TIRED. JUST GET ME OUTTA HERE. 394 00:27:35,044 --> 00:27:37,171 YOU WOULDN'T BELIEVE THE KIND OF TRASH 395 00:27:37,171 --> 00:27:39,173 THEY'RE LETTING ON BUSES NOWADAYS. 396 00:27:39,173 --> 00:27:42,551 [ Tracy Yelling ] 397 00:27:42,551 --> 00:27:46,221 WHAT YOU CAWING ABOUT? COME ON. GET OUTTA THERE. 398 00:27:49,891 --> 00:27:51,810 ARE YOU UNCLE EARL? 399 00:27:56,815 --> 00:27:58,983 SO WHAT'S IN HERE, ANYWAY? 400 00:27:58,983 --> 00:28:01,445 THAT'S TRACY'S CRIB. 401 00:28:02,696 --> 00:28:04,782 HUH? 402 00:28:04,782 --> 00:28:08,118 WELL, NOW, WHAT'S A BIG GIRL LIKE YOU... 403 00:28:08,118 --> 00:28:10,412 DOING STILL SLEEPING IN A CRIB? 404 00:28:12,748 --> 00:28:15,167 HEY, HEY, HEY, HEY, HEY. DON'T WORRY 405 00:28:15,167 --> 00:28:17,669 ABOUT HER. SHE DO THAT ALL THE TIME. 406 00:28:17,669 --> 00:28:19,921 JUST NEVER STARE AT HER STRAIGHT IN 407 00:28:19,921 --> 00:28:22,216 THE EYES LIKE THAT. MAKE HER CRAZY. 408 00:28:28,055 --> 00:28:30,557 [ Grunts ] 409 00:28:38,190 --> 00:28:43,195 THAT'S SO... ANNIE WON'T TRY TO GET OUT WHEN I'M DRIVING. 410 00:28:48,200 --> 00:28:51,537 WE USED TO HAVE A HIGH SCHOOL, 411 00:28:51,537 --> 00:28:54,872 BUT THEY CLOSED THAT DOWN WHEN, UH... 412 00:28:54,872 --> 00:28:56,708 WHITE FOLKS STARTED SENDING THEIR 413 00:28:56,708 --> 00:28:58,335 CHILDREN TO PRIVATE SCHOOL. 414 00:28:58,335 --> 00:29:01,630 WE'RE TRYING TO PUT ENOUGH MONEY TOGETHER TO... 415 00:29:01,630 --> 00:29:04,716 TURN IT INTO A COMMUNITY CENTER. 416 00:29:04,716 --> 00:29:08,554 Y'ALL GONNA HAVE A POOL TABLE? 417 00:29:08,554 --> 00:29:11,223 [ Tracy Babbling ] HERE'S MY RESTAURANT. 418 00:29:11,223 --> 00:29:14,017 [ Thomas ] TRACY, DON'T DO THAT. 419 00:29:14,017 --> 00:29:16,311 DO YOU SERVE BEER? [ Tracy Stops ] 420 00:29:18,188 --> 00:29:20,399 AND THERE'S THE CHICKEN PLANT. 421 00:29:22,276 --> 00:29:25,195 THAT'S ABOUT THE BIGGEST BUSINESS AROUND HERE... 422 00:29:25,195 --> 00:29:27,698 SINCE THEY CLOSED DOWN THE BLUE JEANS MILL. 423 00:29:29,907 --> 00:29:34,204 MY SON WILL'S GOT TWO BOYS JUST ABOUT YOUR AGE, THOMAS. 424 00:29:35,205 --> 00:29:37,207 [ Thomas ] DO THEY LIVE AROUND HERE? 425 00:29:37,207 --> 00:29:40,711 [ Earl ] NO. HE'S A LAWYER IN ATLANTA. 426 00:29:40,711 --> 00:29:44,298 HE'LL BE HERE FOR YOUR AUNT ANNIE'S BIRTHDAY. 427 00:29:54,558 --> 00:29:57,144 [ Grunts ] 428 00:29:57,144 --> 00:30:00,063 WE'RE HERE. LET ME OUTTA HERE. 429 00:30:09,573 --> 00:30:13,118 MAN, THIS IS BIG. [ Chuckles ] 430 00:30:13,118 --> 00:30:16,746 WELL, BACK IN THE OLD DAYS, THEY USED TO CALL IT "THE BIG HOUSE." 431 00:30:16,746 --> 00:30:19,208 IT WAS BUILT BEFORE THE CIVIL WAR. 432 00:30:19,208 --> 00:30:22,669 COME ON. WE'LL GET YOUR THINGS LATER. 433 00:30:22,669 --> 00:30:26,924 WE BOUGHT IT IN '72 FROM THE WHITE SINCLAIRS. 434 00:30:26,924 --> 00:30:29,051 [ Chuckles ] IT WAS A MESS. 435 00:30:29,051 --> 00:30:32,221 WE'VE BEEN WORKING ON IT EVER SINCE. 436 00:30:33,763 --> 00:30:37,226 COME ON AND MEET YOUR AUNT ANNIE AND ZENIA. 437 00:30:37,226 --> 00:30:41,563 WHO'S ZENIA? WELL, SHE'S, UH... SHE KIND OF HELPS US OUT. 438 00:30:42,730 --> 00:30:46,817 WHY DON'T YOU CALL A MAID A MAID? 439 00:30:46,817 --> 00:30:50,197 HERE WE GO. 440 00:30:50,197 --> 00:30:53,741 COME ON. COME ON IN. COME ON. ANNIE, WE'RE HERE! 441 00:30:55,202 --> 00:30:58,205 WHICH WAY IS THE BATHROOM? 442 00:30:58,205 --> 00:31:03,793 IT'S, UH, RIGHT AROUND HERE THROUGH THAT DOOR THERE. 443 00:31:03,793 --> 00:31:06,255 ANNIE! DO I NEED A KEY TO GET IN? 444 00:31:06,255 --> 00:31:09,383 NO. ONLY OUTSIDE DOORS HAVE LOCKS. 445 00:31:09,383 --> 00:31:11,593 ANNIE! 446 00:31:17,808 --> 00:31:20,978 AH, ZENIA! 447 00:31:20,978 --> 00:31:23,855 THIS IS THOMAS. 448 00:31:23,855 --> 00:31:27,859 HI, THOMAS. HOW ARE YOU? ALL RIGHT, I GUESS, MA'AM. 449 00:31:27,859 --> 00:31:31,071 AND THIS IS TRACY. HI. 450 00:31:32,738 --> 00:31:37,202 AND THIS... IS AUNT ANNIE. 451 00:31:37,202 --> 00:31:40,539 YOU'VE BEEN A GOOD GIRL TODAY, ANNIE, HMM? 452 00:31:40,539 --> 00:31:44,667 NO, NO. GET IT RIGHT THIS TIME. THAT'S RIGHT. 453 00:31:44,667 --> 00:31:47,254 GET IT RIGHT. GET IT RIGHT. 454 00:31:48,922 --> 00:31:51,049 [ Whispers ] WHAT'S WRONG WITH HER? 455 00:31:51,049 --> 00:31:54,553 WELL, SHE HAS ALZHEIMER'S. 456 00:31:55,929 --> 00:31:59,224 NOW, THAT'S A DISEASE THAT SOME OLDER PEOPLE GET. 457 00:32:00,851 --> 00:32:02,853 IT JUST MEANS THAT SHE'S A LITTLE 458 00:32:02,853 --> 00:32:05,188 SLOWER THAN OTHER PEOPLE, THAT'S ALL. 459 00:32:05,188 --> 00:32:08,066 I AM TELLING YOU, HE IS CRAZY. 460 00:32:08,066 --> 00:32:09,943 MAN THINK HE'S SOME KIND OF PRISON GUARD. 461 00:32:09,943 --> 00:32:11,194 [ Rosa ] WHAT DO YOU MEAN? 462 00:32:11,194 --> 00:32:14,114 FIRST OF ALL, HE HAD US LOCKED IN THE CAR. 463 00:32:14,114 --> 00:32:16,408 HE GOT US LOCKED IN THE HOUSE NOW, 464 00:32:16,408 --> 00:32:18,701 AND HE GOT SIGNS TELLING YOU WHAT TO DO... 465 00:32:18,701 --> 00:32:20,203 EVERYWHERE. [ Keys Jingle ] 466 00:32:20,203 --> 00:32:22,705 [ Rosa ] I DON'T UNDERSTAND WHAT YOU'RE SAYING. 467 00:32:22,705 --> 00:32:26,209 YOU HAVE TO MAKE AN EXTRA SPECIAL EFFORT TO GET ALONG. 468 00:32:26,209 --> 00:32:29,712 I HAVE TO GO. WAIT A MINUTE. 469 00:32:31,465 --> 00:32:34,717 DON'T YOU WANT TO MEET YOUR AUNT ANNIE? 470 00:32:34,717 --> 00:32:37,054 YES. 471 00:32:43,226 --> 00:32:46,229 OH, NO, NO, NO, NO! 472 00:32:46,229 --> 00:32:48,482 NO, MISS ANNIE. WHOA! 473 00:32:48,482 --> 00:32:51,193 HO, HO, HO, HO. SWEET BABY JESUS. 474 00:32:57,573 --> 00:33:00,202 MAMA? 475 00:33:01,703 --> 00:33:05,207 MAMA. [ Chuckles ] 476 00:33:05,207 --> 00:33:09,211 IT'S ALL RIGHT. SHE DOES THAT ALL THE TIME, MISTAKING PEOPLE. 477 00:33:09,211 --> 00:33:11,213 IT'S ALL RIGHT. 478 00:33:11,213 --> 00:33:14,216 WELL, GO AHEAD. GIVE YOUR AUNT ANNIE A HUG. 479 00:33:14,216 --> 00:33:16,843 GO AHEAD. SHE WON'T HURT YOU. 480 00:33:28,562 --> 00:33:31,483 COME ON, ANNIE. COME ON. 481 00:33:31,483 --> 00:33:34,194 COME ON. 482 00:33:41,617 --> 00:33:45,038 [ Earl ] YOU EVER WAIT ON A TABLE BEFORE? 483 00:33:46,206 --> 00:33:48,917 NO. UM... I'M NOT TOO GOOD... 484 00:33:48,917 --> 00:33:51,211 AT FIGURING OUT THE BILL. 485 00:33:51,211 --> 00:33:54,798 WELL, WE'LL FIND YOU SOMETHING. 486 00:33:54,798 --> 00:33:58,634 THERE'S PLENTY TO DO IN A RESTAURANT. 487 00:33:58,634 --> 00:34:01,054 MAMA WANTED YOU TO HAVE THIS. 488 00:34:01,054 --> 00:34:03,890 AH, THERE HE IS. 489 00:34:03,890 --> 00:34:06,600 THERE'S NATHAN. [ Laughs ] 490 00:34:08,145 --> 00:34:12,107 THERE'S A WHOLE LOT OF FAMILY HISTORY IN THIS CANDELABRA. 491 00:34:12,107 --> 00:34:14,483 ROSA LYNN TOLD YOU ABOUT IT? - YES. 492 00:34:14,483 --> 00:34:17,486 IT CAME UP TO CHICAGO WITH HER AND DADDY. 493 00:34:17,486 --> 00:34:19,488 LONG BEFORE THEN. 494 00:34:19,488 --> 00:34:22,200 IT WAS BEFORE THE CIVIL WAR. 495 00:34:22,200 --> 00:34:26,204 MY GREAT-GREAT GRANDDADDY JESSE... 496 00:34:26,204 --> 00:34:28,456 WAS A SLAVE, 497 00:34:28,456 --> 00:34:31,209 THEN A SHARECROPPER AFTER THAT. 498 00:34:31,209 --> 00:34:35,088 THE ONLY TWO THINGS JESSE HAD IN THIS WORLD WERE... 499 00:34:35,088 --> 00:34:39,217 A BIG FAMILY... THAT WAS IMPORTANT TO HIM... 500 00:34:39,217 --> 00:34:43,430 AND THIS CANDELABRA HE CALLED NATHAN. 501 00:34:43,430 --> 00:34:45,849 WHEN HE WAS DYING, HE, 502 00:34:45,849 --> 00:34:49,227 HE PASSED IT ALONG TO HIS OLDEST SON, 503 00:34:49,227 --> 00:34:51,188 AND HE TOLD HIM... 504 00:34:51,188 --> 00:34:53,940 AS LONG AS IT WAS IN THE SINCLAIR FAMILY... 505 00:34:53,940 --> 00:34:56,818 THE FAMILY WAS GONNA STAY TOGETHER. 506 00:34:56,818 --> 00:35:00,989 AND IT WAS PASSED DOWN FROM MY GREAT-GREAT GRANDDADDY... 507 00:35:00,989 --> 00:35:04,492 TO GREAT GRANDDADDY, TO GRANDDADDY, 508 00:35:04,492 --> 00:35:08,371 AND MY FATHER, AND THEN YOUR FATHER. 509 00:35:08,371 --> 00:35:10,790 WHEN I WAS IN KOREA, ROSA LYNN TALKED 510 00:35:10,790 --> 00:35:13,210 YOUR FATHER INTO GOING UP TO CHICAGO, 511 00:35:13,210 --> 00:35:16,129 AND THEY TOOK NATHAN WITH THEM. 512 00:35:16,129 --> 00:35:19,216 WASN'T A LOT OF PEOPLE GOING UP TO CHICAGO IN THEM DAYS? 513 00:35:19,216 --> 00:35:20,967 YEAH, A LOT OF PEOPLE, BUT THEY 514 00:35:20,967 --> 00:35:23,220 DIDN'T HAVE TO TAKE NATHAN WITH THEM. 515 00:35:23,220 --> 00:35:26,348 ANYWAY, THEY WERE SUPPOSED TO SEND HIM ON BACK DOWN HERE... 516 00:35:26,348 --> 00:35:28,975 AFTER YOUR FATHER, UH, PASSED. 517 00:35:30,227 --> 00:35:33,313 BUT, OH, NO, NO. 518 00:35:33,313 --> 00:35:36,817 THAT WOMAN HAD TO TAKE IT ON UP THERE WITH HER. 519 00:35:36,817 --> 00:35:39,069 THAT WOMAN SCRUBBED HOSPITAL FLOORS 520 00:35:39,069 --> 00:35:41,445 AND EMPTIED BED PANS FOR 40 YEARS... 521 00:35:41,445 --> 00:35:45,534 TO KEEP FAMILY TOGETHER AS SHE HELD ONTO HIM. 522 00:35:45,534 --> 00:35:48,245 MM. 523 00:35:48,245 --> 00:35:50,830 WELL... 524 00:35:50,830 --> 00:35:53,208 I'LL GIVE HER CREDIT FOR THAT. 525 00:35:54,751 --> 00:35:57,837 BUT SHE DIDN'T HAVE TO KEEP HIM UP THERE IN HER HOUSE. 526 00:36:14,187 --> 00:36:16,648 [ Rustling Sound ] 527 00:36:39,671 --> 00:36:42,215 WHAT'S GOING ON OUT HERE? 528 00:36:42,215 --> 00:36:47,344 I SAW SOME KIND OF ANIMAL. I DIDN'T KNOW EXACTLY WHAT IT WAS. 529 00:36:47,344 --> 00:36:50,347 WELL, YOU GOTTA REMEMBER TO KEEP THIS DOOR LOCKED, 530 00:36:50,347 --> 00:36:51,641 EVEN IF YOU'RE JUST COMING OUT 531 00:36:51,641 --> 00:36:53,226 HERE FOR A MINUTE, YOU UNDERSTAND? 532 00:36:53,226 --> 00:36:56,187 UH-HUH. 533 00:36:56,187 --> 00:37:01,026 WELL, IT'S PROBABLY A COW OR DEER OR SOMETHING. 534 00:37:01,026 --> 00:37:05,739 THEY LIKE TO COME OUT EARLY IN THE MORNING TO EAT UP MY BUSHES. 535 00:37:05,739 --> 00:37:08,742 YOU REMEMBER ABOUT THAT DOOR, HUH? YES, SIR. 536 00:37:08,742 --> 00:37:12,037 ALL RIGHT. YOU GO ON UPSTAIRS, 537 00:37:12,037 --> 00:37:15,165 AND TELL YOUR MAMA IT'S ALMOST TIME TO LEAVE... 538 00:37:15,165 --> 00:37:18,043 FOR THE RESTAURANT, HMM? 539 00:37:20,419 --> 00:37:23,422 [ Sighs ] 540 00:37:23,422 --> 00:37:25,675 MAMA? HMM? 541 00:37:25,675 --> 00:37:28,553 MAMA! [ Groans ] - GO AWAY. 542 00:37:28,553 --> 00:37:31,473 UNCLE EARL'S ABOUT READY TO TAKE OFF FOR THE RESTAURANT. 543 00:37:31,473 --> 00:37:34,601 HE SAID TEN MILES IS AN AWFUL LONG WAY TO WALK. 544 00:37:35,977 --> 00:37:38,813 [ Grunts ] 545 00:37:38,813 --> 00:37:41,441 [ Grunts, Pants ] 546 00:37:41,441 --> 00:37:43,359 OH, SHIT. 547 00:37:45,402 --> 00:37:48,740 - WHAT YOU LOOKING AT, ANNIE? - WHAT TIME IS IT? 548 00:37:48,740 --> 00:37:50,742 OH, LET'S SEE. 549 00:37:50,742 --> 00:37:54,204 IT'S, UH, 7:22. 550 00:37:54,204 --> 00:37:56,288 7:22. [ Zenia ] GOOD MORNING! 551 00:37:56,288 --> 00:37:58,416 HELLO. GOOD MORNING. 552 00:37:58,416 --> 00:38:01,920 GOOD MORNING. 7:22. 553 00:38:01,920 --> 00:38:05,423 OKAY, I OVERSLEPT. SHOOT ME. 554 00:38:05,423 --> 00:38:08,510 [ Annie ] WHEN DO WE EAT? 555 00:38:08,510 --> 00:38:11,054 [ Earl ] YOU WANT SOME MORE BREAKFAST? 556 00:38:11,054 --> 00:38:13,390 GOOD MORNING, AUNT ANNIE. 557 00:38:13,390 --> 00:38:17,852 AH. SO WHAT'S YOUR JOB TODAY? 558 00:38:17,852 --> 00:38:20,647 TO LOOK AFTER TRACY. MM-HMM. 559 00:38:20,647 --> 00:38:23,357 AND YOU MAKE SURE SHE STAYS QUIET 560 00:38:23,357 --> 00:38:25,777 AROUND YOUR AUNT ANNIE. OKAY. 561 00:38:25,777 --> 00:38:28,780 [ Earl ] OKAY. YOU READY? 562 00:38:28,780 --> 00:38:30,532 OH. [ Laughs ] MM-HMM. 563 00:38:30,532 --> 00:38:33,201 BYE-BYE, ANNIE. 564 00:38:33,201 --> 00:38:35,787 BYE-BYE. BYE-BYE. 565 00:38:37,122 --> 00:38:39,165 BYE-BYE. 566 00:38:39,165 --> 00:38:41,543 THAT'S RIGHT. BYE. BYE. 567 00:38:41,543 --> 00:38:44,504 BYE-BYE. BYE-BYE. 568 00:38:44,504 --> 00:38:46,589 BYE-BYE. 569 00:38:46,589 --> 00:38:49,968 THAT'S RIGHT. BYE-BYE. 570 00:38:49,968 --> 00:38:53,680 HOW LONG'S SHE BEEN LIKE THAT? 571 00:38:53,680 --> 00:38:56,265 WELL, ABOUT FIVE, SIX YEARS AGO... 572 00:38:56,265 --> 00:39:01,187 SHE'D FORGET WHERE SHE PUT HER CAR KEYS, AND... 573 00:39:01,187 --> 00:39:04,649 THEN SHE FORGOT WHAT THE KEYS WERE FOR. 574 00:39:04,649 --> 00:39:08,193 MAYBE SHE OUGHT TO BE IN A HOME SOMEPLACE. 575 00:39:08,193 --> 00:39:10,405 SHE IS HOME. 576 00:39:21,290 --> 00:39:24,419 THERE YOU GO. THERE YOU GO. 577 00:39:24,419 --> 00:39:26,880 MORNING, EARL. MORNING. GOOD MORNING. 578 00:39:26,880 --> 00:39:31,216 THAT'S, UH, LORETTA. SHE'S THE NIECE I WAS TELLING YOU ABOUT... 579 00:39:31,216 --> 00:39:33,094 THAT'S GONNA BE WORKING WITH US FOR 580 00:39:33,094 --> 00:39:35,054 THE SUMMER. [ Cash Register Beeps ] 581 00:39:35,054 --> 00:39:38,850 THAT'S GINA AND THAT'S ISABELLE. 582 00:39:38,850 --> 00:39:41,226 SO, UH, COME ON. 583 00:39:44,856 --> 00:39:48,735 NOW, THE ONLY THING WE SERVE HERE... IS JUST CHICKEN, 584 00:39:48,735 --> 00:39:51,029 JUST LIKE THE NAME SAYS. 585 00:39:51,029 --> 00:39:53,114 THAT'S 'CAUSE WE GET IT AT A GOOD PRICE FROM 586 00:39:53,114 --> 00:39:55,033 THE PLANT, 'CAUSE I USED TO WORK THERE. 587 00:39:55,033 --> 00:39:57,619 NOW, YOU PUT THE SAUSAGE IN THE HOPPER. 588 00:39:57,619 --> 00:40:00,330 YOU HAVE THE CASING ON THE SPOUT THERE. 589 00:40:00,330 --> 00:40:03,207 THEN YOU GRIND IT OUT, AND IT COMES OUT LIKE THIS. 590 00:40:03,207 --> 00:40:06,961 HERE'S HOW YOU MAKE A SAUSAGE. SEE, YOU GO ABOUT FOUR FINGERS, 591 00:40:06,961 --> 00:40:09,213 AND THEN YOU SQUEEZE IT. 592 00:40:09,213 --> 00:40:12,342 AND THEN YOU SQUEEZE IT AND THEN YOU TURN IT. 593 00:40:12,342 --> 00:40:15,887 FOUR FINGERS, YOU SQUEEZE IT AND THEN YOU TURN IT. 594 00:40:15,887 --> 00:40:18,222 AND THEN YOU SQUEEZE IT. 595 00:40:18,222 --> 00:40:20,683 FOUR FINGERS, SQUEEZE IT, AND THEN YOU TURN IT. 596 00:40:20,683 --> 00:40:23,227 ALL RIGHT. NOW, YOU TRY. 597 00:40:27,023 --> 00:40:30,944 I SQUEEZE IT, THEN I TWIST IT. 598 00:40:30,944 --> 00:40:34,196 MM-HMM. 599 00:40:34,196 --> 00:40:38,034 THEN I SQUEEZE IT... [ Squeals ] 600 00:40:38,034 --> 00:40:41,704 I'M S... MM-HMM. TRY IT AGAIN RIGHT DOWN THERE. 601 00:40:41,704 --> 00:40:44,206 RIGHT. 602 00:40:44,206 --> 00:40:46,208 TRY ANOTHER ONE. SQUEEZE IT. SQUEEZE IT. 603 00:40:48,126 --> 00:40:50,547 TWIST IT. [ Muttering ] 604 00:40:50,547 --> 00:40:54,509 WELL, I GUESS IT'S GONNA TAKE A WHILE TO GET THE HANG OF IT. 605 00:40:54,509 --> 00:40:56,636 SO YOU WORK AT THAT. 606 00:40:58,596 --> 00:41:00,932 I SQUEEZE IT... 607 00:41:04,227 --> 00:41:06,186 I SQ... 608 00:41:14,571 --> 00:41:16,489 [ Gasps ] 609 00:41:29,210 --> 00:41:31,421 SEE, ROCKY. ROCKY! ROCKY. 610 00:41:31,421 --> 00:41:33,298 THAT'S IT, ROCKY. HONEY, TURN THIS 611 00:41:33,298 --> 00:41:35,132 ON CHANNEL FOUR AND LEAVE IT ON. 612 00:41:35,132 --> 00:41:36,676 THAT'S THE ONLY STATION SHE'LL WATCH 613 00:41:36,676 --> 00:41:38,303 LONG ENOUGH FOR ME TO DO THE LAUNDRY. 614 00:41:38,303 --> 00:41:40,305 WE GOT TO SWITCH ROOMS. [ Yelling ] 615 00:41:40,305 --> 00:41:43,224 COME ON, THOMAS. OKAY. ALL RIGHT. TAKE YOUR SISTER. 616 00:41:43,224 --> 00:41:45,226 TAKE HER IN THERE. [ Yelling Continues ] 617 00:41:45,226 --> 00:41:47,770 LOOK, ANNIE. THOSE ARE YOUR THINGS. 618 00:41:47,770 --> 00:41:49,104 YOUR BEADS, YES. 619 00:41:49,104 --> 00:41:51,691 AND ROCKY. ALL RIGHT, ROCKY. 620 00:41:51,691 --> 00:41:53,818 UH-HUH. [ Rocky ] THIS IS AN EMERGENCY. 621 00:41:53,818 --> 00:41:55,695 [ Man Narrating ] AND ROCKY SQUIRREL MARCHED 622 00:41:55,695 --> 00:41:57,238 PAST THE SIGNS AND INTO THE ROOM... 623 00:41:57,238 --> 00:41:59,741 THEN STRANGELY ENOUGH, HE HEARD A FAMILIAR VOICE. [ Laughs ] 624 00:41:59,741 --> 00:42:02,243 [ Man ] I'LL HAVE THE FORECAST. [ Rocky ] GEE, THAT SOUNDS... 625 00:42:02,243 --> 00:42:05,163 - [ Glass Shattering ] - [ Yelling ] 626 00:42:05,163 --> 00:42:08,458 WHAT DID YOU DO THAT FOR? TRACY, COME BACK HERE! 627 00:42:08,458 --> 00:42:10,960 [ Yells ] [ Zenia ] WHAT IS GOING ON? 628 00:42:10,960 --> 00:42:13,338 OH, MY GOOD... COME ON. 629 00:42:13,338 --> 00:42:16,215 [ Yelling ] COME ON. NO, NO. MISS ANNIE, DON'T HOLD ONTO HER. 630 00:42:16,215 --> 00:42:18,384 COME ON, TRACY. WHAT IS ALL OVER HER? 631 00:42:18,384 --> 00:42:21,471 [ Thomas ] FLOUR. DON'T HOLD ONTO HER, MISS ANNIE. COME ON. 632 00:42:21,471 --> 00:42:25,098 COME ON. WHAT'S GOING... 633 00:42:25,098 --> 00:42:27,185 HONEY, TAKE YOUR CHILD. STOP THAT! 634 00:42:27,185 --> 00:42:28,895 LABOR DAY CAN'T GET HERE QUICK ENOUGH 635 00:42:28,895 --> 00:42:30,438 FOR ME! YOU GOT THAT ONE RIGHT! 636 00:42:30,438 --> 00:42:32,273 IT'S ALL RIGHT. I NEED TO GIVE HER A BATH. 637 00:42:32,273 --> 00:42:33,524 COME ON, MISS ANNIE. 638 00:42:33,524 --> 00:42:36,235 IT'S ALL RIGHT. COME ON. COME ON. COME ON, ANNIE. 639 00:42:36,235 --> 00:42:38,529 COME ON. [ Whispers ] YOU PROMISED. 640 00:42:38,529 --> 00:42:40,156 - COME ON. - ZENIA, YOU KIND OF LETTING 641 00:42:40,156 --> 00:42:41,532 THINGS GET OUT OF HAND HERE. 642 00:42:41,532 --> 00:42:45,119 NO, SIR. I'M SORRY. IT'S FINE. COME ON, MISS ANNIE. 643 00:42:45,119 --> 00:42:47,163 THOMAS, YOU'RE LETTING ME DOWN. I THOUGHT YOU 644 00:42:47,163 --> 00:42:49,207 TOLD ME YOU WERE GOING TO TAKE CARE OF TRACY. 645 00:42:49,207 --> 00:42:52,251 SHE DOES THIS ALL THE TIME! 646 00:42:55,296 --> 00:42:58,006 WELL... HMPH. 647 00:42:58,006 --> 00:43:02,637 I GUESS WE GOTTA EXPECT SOME CHANGES AROUND HERE. 648 00:43:06,182 --> 00:43:08,226 [ Crickets Chirping ] 649 00:43:08,226 --> 00:43:10,353 WHEN WE GET BACK TO CHICAGO, WE'RE 650 00:43:10,353 --> 00:43:12,188 GONNA BE MAKING MONEY AGAIN, 651 00:43:12,188 --> 00:43:15,023 AND WE'RE GONNA GET BIG AND FAT. 652 00:43:15,023 --> 00:43:17,067 WHAT IS THAT? 653 00:43:17,067 --> 00:43:21,698 THAT'S CILANTRO HORSERADISH CREAM. 654 00:43:21,698 --> 00:43:24,117 YES. 655 00:43:24,117 --> 00:43:26,411 HERE. I WANT YOU TO TRY THIS. 656 00:43:26,411 --> 00:43:29,414 OH, NO, I AIN'T EVEN ABOUT TO TOUCH THAT. 657 00:43:31,124 --> 00:43:34,960 YOU NEED TO SHUT THAT PLACE DOWN AND OPEN YOU UP A POPEYE'S. 658 00:43:36,629 --> 00:43:40,508 COME ON, ANNIE. OH, YOU GONNA TURN SOME HEADS TODAY. 659 00:43:40,508 --> 00:43:42,552 [ Chuckles ] COME ON. 660 00:43:42,552 --> 00:43:45,221 ANYBODY THAT DOESN'T GO TO CHURCH TODAY... 661 00:43:45,221 --> 00:43:48,725 IS GONNA MISS A MIGHTY FINE SUNDAY DINNER. 662 00:43:48,725 --> 00:43:50,810 OVER IN CLARKSDALE, THEY DON'T SERVE 663 00:43:50,810 --> 00:43:52,978 MY KIND OF CHICKEN, BUT THEY GOT... 664 00:43:52,978 --> 00:43:55,981 HELP, THOMAS... HELP YOUR AUNT ANNIE THERE. 665 00:43:55,981 --> 00:43:59,235 WHAT I NEED IS A MIGHTY FINE SUNDAY DRINK. 666 00:44:01,112 --> 00:44:05,825 SO EVEN THOUGH WE BELIEVE IN THE LORD TO WORK MIRACLES... 667 00:44:05,825 --> 00:44:07,827 YES, WE DO! 668 00:44:07,827 --> 00:44:10,912 SOMETIMES THEY DON'T HAPPEN... 669 00:44:10,912 --> 00:44:13,207 IN THE WAY THAT WE EXPECT. 670 00:44:13,207 --> 00:44:15,876 NO, THEY DON'T. SO THEN, 671 00:44:15,876 --> 00:44:18,337 WE PRAY FOR THE LORD... - WHAT TIME IS IT? 672 00:44:18,337 --> 00:44:20,757 TO WORK HIS MIRACLE... SHH, SHH! 673 00:44:20,757 --> 00:44:23,843 IT'S ALMOST TIME FOR THE SINGING, ANNIE. 674 00:44:23,843 --> 00:44:25,219 I WANNA SING NOW. 675 00:44:25,219 --> 00:44:26,970 [ Scattered Laughter ] 676 00:44:26,970 --> 00:44:29,557 COME ON, COME ON. LET IT WAIT. 677 00:44:29,557 --> 00:44:33,227 LET US TURN OUR HYMN BOOKS TO PAGE 42, 678 00:44:33,227 --> 00:44:35,229 AND LET US SHOW THE LORD... 679 00:44:35,229 --> 00:44:38,191 HOW MUCH WE BELIEVE IN MIRACLES. 680 00:44:38,191 --> 00:44:41,486 BROTHER GREENE, LEAD US IN SONG. 681 00:44:43,112 --> 00:44:47,075 [ With Congregation ] ♪ THERE IS A GOD ♪ 682 00:44:47,075 --> 00:44:51,120 ♪ IN GILEAD ♪ 683 00:44:51,120 --> 00:44:57,543 ♪ TO MAKE THE WOUNDED WALK ♪♪ 684 00:44:59,128 --> 00:45:02,215 SURE IS GOOD TO SEE YOUNG PEOPLE IN CHURCH AGAIN. 685 00:45:02,215 --> 00:45:05,218 THANK YOU, REVEREND. THANK YOU. 686 00:45:05,218 --> 00:45:08,429 YOU GOT A BIG STRONG VOICE, SISTER. 687 00:45:08,429 --> 00:45:11,224 WE COULD USE A VOICE LIKE THAT IN THE CHOIR. 688 00:45:11,224 --> 00:45:15,311 I AIN'T GONNA BE HERE THAT LONG. YOU GIVE IT SOME THOUGHT. 689 00:45:15,311 --> 00:45:17,730 OH! 690 00:45:17,730 --> 00:45:20,983 THANK YOU, BABY. THANK YOU. 691 00:45:20,983 --> 00:45:22,985 COME ON. 692 00:45:22,985 --> 00:45:25,904 [ People Chattering ] 693 00:45:32,161 --> 00:45:36,124 YOU KNOW, THAT'S A WHOLE LOT OF SINCLAIRS. MM-HMM. 694 00:45:36,124 --> 00:45:39,210 THAT'S FIVE GENERATIONS OF THEM OUT THERE. 695 00:45:39,210 --> 00:45:42,338 RIGHT OVER THERE'S MY MAMA AND DADDY, 696 00:45:42,338 --> 00:45:44,423 YOUR GREAT GRANDPARENTS. 697 00:45:44,423 --> 00:45:48,511 AND RIGHT OVER THERE IS JESSE, 698 00:45:48,511 --> 00:45:53,182 YOUR GREAT-GREAT-GREAT GRANDPARENTS. 699 00:45:53,182 --> 00:45:57,811 COME OVER HERE. SEE THIS STUMP RIGHT HERE? 700 00:45:59,647 --> 00:46:03,859 NOW, THIS STUMP WAS A BIG OLD OAK TREE... 701 00:46:03,859 --> 00:46:06,737 EVEN WHEN JESSE WAS A LITTLE BOY. 702 00:46:06,737 --> 00:46:11,159 EACH ONE OF THESE RINGS IS A YEAR IN THIS TREE'S LIFE, 703 00:46:11,159 --> 00:46:15,913 AND EACH TELLS A STORY OF OUR FAMILY'S HISTORY. 704 00:46:15,913 --> 00:46:19,833 AFTER THE CIVIL WAR, JESSE WAS A FREE MAN. 705 00:46:19,833 --> 00:46:23,713 RIGHT ABOUT DOWN IN HERE, THAT'S ABOUT, UH... 706 00:46:23,713 --> 00:46:25,715 1878, 707 00:46:25,715 --> 00:46:29,218 AND THAT'S WHEN THEY STARTED BUILDING THAT CHURCH OVER THERE. 708 00:46:29,218 --> 00:46:32,013 THAT'S ABOUT 1951, 709 00:46:32,013 --> 00:46:36,017 AND THAT'S WHEN I WENT OFF TO THE KOREAN WAR... 710 00:46:36,017 --> 00:46:39,270 AND YOUR GRANDPARENTS WENT OFF TO CHICAGO. 711 00:46:39,270 --> 00:46:41,564 WHERE IN THIS WAS I BORN? 712 00:46:41,564 --> 00:46:45,693 OH, WHEN WERE YOU BORN? ABOUT 1985? 713 00:46:45,693 --> 00:46:48,196 MM-HMM. 714 00:46:48,196 --> 00:46:52,200 WELL, THIS OLD TREE DIED ABOUT 1980, 715 00:46:52,200 --> 00:46:55,203 AND THEN WE HAD TO CUT IT DOWN, BUT... 716 00:46:56,828 --> 00:46:58,998 SEE THAT TREE OVER THERE? 717 00:47:00,333 --> 00:47:04,753 NOW, I PLANTED THAT TREE JUST ABOUT THE TIME YOU WERE BORN. 718 00:47:04,753 --> 00:47:09,008 HMM? SO MAYBE ONE DAY... 719 00:47:09,008 --> 00:47:11,928 YOU AND MY SON WILL... 720 00:47:11,928 --> 00:47:15,514 WILL TELL YOUR CHILDREN ABOUT OUR FAMILY HISTORY. 721 00:47:15,514 --> 00:47:17,433 HMM? MM-HMM. 722 00:47:19,143 --> 00:47:21,145 MM. 723 00:47:21,145 --> 00:47:23,147 GRANDMA ROSA? 724 00:47:23,147 --> 00:47:26,025 [ Rosa ] IS THAT YOU, THOMAS? YES, MA'AM, IT'S ME. 725 00:47:26,025 --> 00:47:29,736 - ARE YOU KEEPING YOURSELF BUSY? - UH-HUH, LOOKING AFTER TRACY. 726 00:47:29,736 --> 00:47:32,739 FIRST THING IN THE MORNING, YOU OUGHT TO GO RIGHT OUT... 727 00:47:32,739 --> 00:47:34,825 IN THE MIDDLE OF ONE OF THOSE GREAT 728 00:47:34,825 --> 00:47:36,994 BIG FIELDS AND RUN AROUND AND YELL, 729 00:47:36,994 --> 00:47:39,288 JUST LIKE A WILD, CRAZY FOOL. 730 00:47:39,288 --> 00:47:42,083 OKAY? NOW, YOU PROMISE ME THAT YOU'LL DO THAT. 731 00:47:42,083 --> 00:47:44,210 YES, MA'AM, I PROMISE. 732 00:47:44,210 --> 00:47:48,297 OKAY, NOW LET ME SPEAK TO YOUR MOTHER AGAIN. BYE-BYE. 733 00:47:49,798 --> 00:47:53,219 YES. ARE YOU DOING SOMETHING WONDERFUL DOWN THERE? 734 00:47:53,219 --> 00:47:56,847 - I WENT TO CHURCH, YOU KNOW. - OH. AND HOW WAS IT? 735 00:47:56,847 --> 00:48:00,643 IT WAS LOVELY. [ Chuckling ] 736 00:48:00,643 --> 00:48:03,938 IT'S LOVELY EVERY TIME. DON'T YOU KNOW THAT? 737 00:48:03,938 --> 00:48:05,898 OH, RIGHT. 738 00:48:05,898 --> 00:48:09,193 OH, AND PLEASE DON'T FORGET ABOUT NATHAN. 739 00:48:09,193 --> 00:48:11,778 OKAY. BYE, MOM. 740 00:48:14,490 --> 00:48:16,951 AAH! WHOO! 741 00:48:18,119 --> 00:48:21,205 WHOO! 742 00:48:21,205 --> 00:48:24,000 [ People Chattering ] MM, BUSY. 743 00:48:25,042 --> 00:48:27,044 THAT'S RIGHT. 744 00:48:27,044 --> 00:48:30,131 ALL RIGHT, MAMA. HOW MANY NICKELS IN A DOLLAR? 745 00:48:30,131 --> 00:48:34,343 ♪ YOU FEEL YOU CAN'T GET THROUGH ♪ [ Gum Pops ] TWENTY. 746 00:48:34,343 --> 00:48:37,847 ♪ THESE TRYING TIMES ♪ 747 00:48:37,847 --> 00:48:40,474 ♪ JUST BECAUSE NO ONE'S AROUND YOU ♪ 748 00:48:40,474 --> 00:48:43,978 HOW MANY QUARTERS IN A DOLLAR? ♪ YOU THINK YOU'RE ALONE ♪ 749 00:48:43,978 --> 00:48:46,272 [ Yelling ] 750 00:48:46,272 --> 00:48:49,400 ♪ I'LL BE HERE FOR YOU ♪ [ Grunting ] 751 00:48:49,400 --> 00:48:51,444 ♪ IF YOU BELIEVE ♪ 752 00:48:51,444 --> 00:48:54,405 [ Earl ] YEAH. ALL RIGHT. [ Thomas ] ALL RIGHT. COME ON. 753 00:48:54,405 --> 00:48:57,199 RIGHT. ALL RIGHT? ♪ NO MATTER HOW HIGH YOU FLY ♪ 754 00:48:57,199 --> 00:48:59,410 ♪ NO MATTER ♪ 755 00:48:59,410 --> 00:49:01,162 [ Thomas ] AH! [ Earl ] ALL RIGHT. 756 00:49:01,162 --> 00:49:03,456 HOW MANY PENNIES IN A DOLLAR? 757 00:49:03,456 --> 00:49:06,542 I GOT THE PENNIES DOWN. A HUNDRED. ALL RIGHT. 758 00:49:06,542 --> 00:49:09,503 ♪ THIS TIME ♪ 759 00:49:09,503 --> 00:49:12,214 THANK YOU. UH! ♪♪ [ Continues ] 760 00:49:12,214 --> 00:49:15,717 THIS IS NOT VERY MUCH MONEY FOR STUFFING A MILLION SAUSAGES. 761 00:49:15,717 --> 00:49:20,139 MAYBE YOU OUGHT TO BE PAYING ME BY THE LINK. HUH. MM. 762 00:49:20,139 --> 00:49:21,974 OR AT LEAST LET ME DO A LITTLE 763 00:49:21,974 --> 00:49:24,393 WAITRESSING SO I CAN MAKE SOME TIPS. 764 00:49:24,393 --> 00:49:27,563 MM, WE COULD TRY THAT, 765 00:49:27,563 --> 00:49:30,232 BUT I'M STILL GONNA NEED YOU TO STUFF THE SAUSAGES, 766 00:49:30,232 --> 00:49:33,194 WHICH MEANS YOU GOTTA GET UP EARLY ENOUGH TO DO THAT FIRST. 767 00:49:33,194 --> 00:49:35,446 THINK YOU COULD DO THAT? 768 00:49:36,989 --> 00:49:39,367 I'LL THINK ABOUT IT. HM. 769 00:49:39,367 --> 00:49:43,037 [ Chuckles ] GETTING UP EARLY'S GONNA GET TO YOU. 770 00:49:43,037 --> 00:49:47,333 FRICASSEE CHICKEN, BARBECUE CHICKEN. [ Muttering ] 771 00:49:49,710 --> 00:49:53,546 FRIED CHICKEN, GRILLED CHICKEN, BAKED CHICKEN, BOILED CHICKEN. 772 00:49:53,546 --> 00:49:56,133 HEY, MAMA, WHAT'S FOR DINNER? 773 00:49:56,133 --> 00:49:58,219 JUST CHICKEN. 774 00:49:58,219 --> 00:50:01,222 CHICKEN STEW, CHICKEN HASH, 775 00:50:01,222 --> 00:50:03,224 CHICKEN ON A STICK. 776 00:50:03,224 --> 00:50:05,101 UNCLE EARL, IS THERE ANY FOOD ON THIS 777 00:50:05,101 --> 00:50:07,228 PLANET THAT DON'T CLUCK WHEN YOU BITE IT? 778 00:50:07,228 --> 00:50:09,188 WHAT HE BRING HOME THIS TIME? 779 00:50:09,188 --> 00:50:11,732 THEM DAMN TARRAGON CHICKEN BURGERS. 780 00:50:11,732 --> 00:50:15,111 WHY DON'T THE TWO OF YOU COME TO MY HOUSE FOR SUPPER? 781 00:50:15,111 --> 00:50:16,487 WHAT WE GONNA HAVE? 782 00:50:16,487 --> 00:50:18,364 - STEAK, FRIED PORK CHOPS, SMOTHERED 783 00:50:18,364 --> 00:50:19,824 PORK CHOPS, - CAN WE, MAMA? 784 00:50:19,824 --> 00:50:21,742 BARBECUE RIBS, SHORT RIBS, WINGS, REAL HAMBURGER... 785 00:50:21,742 --> 00:50:23,202 OH, MAMA, CAN WE GO, PLEASE? 786 00:50:23,202 --> 00:50:25,204 [ Thomas ] TRACY'S UPSTAIRS. I PUT HER TO BED ALREADY. 787 00:50:25,204 --> 00:50:26,288 ALL THE RED MEAT YOU CAN EAT. SHE'S 788 00:50:26,288 --> 00:50:27,248 SOUND ASLEEP. REAL HAMBURGERS. 789 00:50:27,248 --> 00:50:29,792 - I'M GOING, EARL. - WE CAN GO. 790 00:50:32,420 --> 00:50:35,005 [ Loretta ] WE'LL BE BACK LATER, UNCLE EARL. 791 00:50:36,132 --> 00:50:38,259 [ Sighs ] 792 00:50:38,259 --> 00:50:42,221 [ Laughs ] HOW LONG YOU BEEN TAKING CARE OF ANNIE? 793 00:50:42,221 --> 00:50:45,433 I'VE BEEN WORKING HERE FULL-TIME GOING ON ABOUT THREE YEARS NOW. 794 00:50:45,433 --> 00:50:49,145 I DON'T SEE HOW YOU CAN DO IT. IT MAKES YOU CRAZY, DON'T IT? 795 00:50:49,145 --> 00:50:50,688 NO, I MEAN THAT... LIKE AT FIRST I WAS 796 00:50:50,688 --> 00:50:52,398 WONDERING WHAT KINDS OF DRUGS YOU WAS ON. 797 00:50:52,398 --> 00:50:56,026 - YOU'S ALWAYS PATIENT. -NO, I'M NOT LIKE THAT ALL THE TIME. 798 00:50:56,026 --> 00:50:58,904 SOMETIMES IT EVEN TAKES ME A WHILE TO GET BACK TO NORMAL. 799 00:50:58,904 --> 00:51:00,948 I FINALLY FIGURED THAT IT'S BETTER TO GO WITH 800 00:51:00,948 --> 00:51:02,908 THE MADNESS INSTEAD OF TRYING TO FIGHT IT. 801 00:51:02,908 --> 00:51:04,492 YOU KNOW, YOU COME UP WITH BETTER 802 00:51:04,492 --> 00:51:06,287 WAYS OF DEALING WITH HER. - LIKE WHAT? 803 00:51:06,287 --> 00:51:09,206 IF SHE GETS ON YOUR NERVES, GIVE HER SOMETHING IMPOSSIBLE TO DO. 804 00:51:09,206 --> 00:51:11,250 TELL HER TO GO TO THE REFRIGERATOR 805 00:51:11,250 --> 00:51:13,043 AND FETCH A RED GRAPEFRUIT. 806 00:51:13,043 --> 00:51:16,422 THAT'S GOOD FOR ABOUT A HOUR OF PEACE AND QUIET. 807 00:51:28,017 --> 00:51:30,019 HERE WE ARE. [ Sighs ] 808 00:51:31,395 --> 00:51:34,273 THIS LOOK NEW. OH, IT IS NEW. 809 00:51:34,273 --> 00:51:38,027 THREE YEARS AGO, EARL GAVE ME THE MONEY TO BUY THE LAND. 810 00:51:38,027 --> 00:51:41,197 HABITAT FOR HUMANITY CAME IN AND BUILT THE HOUSE. 811 00:51:41,197 --> 00:51:43,365 IT AIN'T MUCH, BUT IT'S ALL MINE. 812 00:51:43,365 --> 00:51:44,950 I EVEN HELPED BUILD IT. 813 00:51:44,950 --> 00:51:47,494 [ Sighs ] CASSANDRA, YOU AND YOUR 814 00:51:47,494 --> 00:51:50,039 BROTHER GET YOUR BUTTS OUT HERE! 815 00:51:50,039 --> 00:51:51,957 GIRL, NOW YOU KNOW I WORK EVERY DAY 816 00:51:51,957 --> 00:51:53,667 KEEPING SOMEBODY ELSE'S HOUSE. 817 00:51:53,667 --> 00:51:55,794 I DON'T WANT TO COME HOME, AND MY OWN IS 818 00:51:55,794 --> 00:51:57,838 LOOKING LIKE SOME KIND OF TRASH DUMP! 819 00:51:57,838 --> 00:52:01,759 GET THIS STUFF OUTTA HERE. COME ON, NOW. HURRY UP. 820 00:52:01,759 --> 00:52:04,720 GO ON, BABE. YOU WANT A BEER? 821 00:52:07,806 --> 00:52:11,769 WOULD YOU LIKE A BEER? 822 00:52:11,769 --> 00:52:13,979 M-MM-HMM. 823 00:52:15,189 --> 00:52:18,192 OKAY. I'LL GET US A COLD BEER. 824 00:52:28,911 --> 00:52:32,497 [ Thomas ] YOU GO STAND OVER THERE. THANKS, BABE. 825 00:52:32,497 --> 00:52:35,125 HERE YOU GO. [ Chuckles ] MMM! 826 00:52:35,125 --> 00:52:37,545 [ Boys Chattering ] [ Sighs ] 827 00:52:37,545 --> 00:52:40,339 LEON, HE'S NOT A BAD GUY. 828 00:52:40,339 --> 00:52:44,343 HE GIVES ME MONEY... WHEN HE CAN. 829 00:52:44,343 --> 00:52:47,805 HE COMES TO SEE THE KIDS ALMOST EVERY WEEKEND. 830 00:52:47,805 --> 00:52:51,225 AT LEAST HE'S STILL IN THE PICTURE. 831 00:52:51,225 --> 00:52:54,270 MINE TOOK OFF AS SOON AS TRACY WAS BORN. 832 00:52:54,270 --> 00:52:57,189 WE WENT TO MOVE WITH MY MAMA. 833 00:52:57,189 --> 00:53:00,109 OH. I KNOW THAT COULDN'T HAVE BEEN EASY. 834 00:53:00,109 --> 00:53:02,861 [ Coughing, Laughing ] SH... 835 00:53:04,863 --> 00:53:08,284 NO, MA'AM, IT MOST CERTAINLY IS NOT. 836 00:53:08,284 --> 00:53:10,160 WE'RE ALL DONE WITH THE DISHES, MOM. 837 00:53:10,160 --> 00:53:11,579 CAN WE WATCH TV NOW? 838 00:53:11,579 --> 00:53:14,999 YES, YOU CAN. MAKE SURE THOMAS CHOOSES THE SHOW, OKAY? 839 00:53:16,208 --> 00:53:18,669 TWO HEALTHY KIDS. 840 00:53:18,669 --> 00:53:21,672 MM, PRETTY KIDS. [ Chuckles ] 841 00:53:21,672 --> 00:53:24,133 LET ME ASK YOU SOMETHING. 842 00:53:26,302 --> 00:53:30,848 WHEN YOU LOOK AT TRACY... WHAT DO YOU SEE? 843 00:53:32,558 --> 00:53:34,977 WELL, UH... 844 00:53:34,977 --> 00:53:37,479 WELL, SHE LOOKS LIKE SHE COULD BE A CRACK 845 00:53:37,479 --> 00:53:39,732 BABY. YOU KNOW, SOMETHING LIKE THAT. 846 00:53:39,732 --> 00:53:44,737 YOU AND THE REST OF THE WORLD, BUT R-REALLY SHE IS AUTISTIC. 847 00:53:44,737 --> 00:53:46,822 OH. 848 00:53:49,700 --> 00:53:52,119 DOES THAT MEAN SHE'S GONNA BE LIKE 849 00:53:52,119 --> 00:53:54,370 THAT FOREVER? - YEAH, BASICALLY. 850 00:53:54,370 --> 00:53:57,207 I LOOK AT YOUR DAUGHTER, AND I... 851 00:53:57,207 --> 00:54:00,418 I TRY TO IMAGINE TRACY AT THAT AGE, AND... 852 00:54:03,213 --> 00:54:06,050 LET ME ASK YOU SOMETHING. 853 00:54:06,050 --> 00:54:08,260 WHEN TRACY LOOKS AT YOU, 854 00:54:08,260 --> 00:54:11,013 WHAT DO YOU THINK SHE SEES? 855 00:54:13,223 --> 00:54:15,308 HER MOTHER. 856 00:54:15,308 --> 00:54:18,687 SHE SEES YOU, HER MOTHER. 857 00:54:29,531 --> 00:54:33,202 OH, IT'S HER BIRTHDAY. WILL, YOU GOTTA COME. 858 00:54:33,202 --> 00:54:36,830 WHAT IF WE COME RIGHT AFTER LABOR DAY? WHAT? NO, NO. 859 00:54:36,830 --> 00:54:39,124 SHE'S NOT GONNA BE WITH US MUCH LONGER. 860 00:54:39,124 --> 00:54:41,126 WE GOTTA TAKE ADVANTAGE OF ALL... 861 00:54:41,126 --> 00:54:44,505 DAD, SHE DOESN'T EVEN KNOW WHO I AM ANYMORE. 862 00:54:44,505 --> 00:54:47,216 WELL, NOW... NOW, YOU'RE WRONG. YOU'RE FLAT WRONG. 863 00:54:47,216 --> 00:54:49,218 SHE DOES KNOW WHO YOU ARE. NOW, SHE JUST 864 00:54:49,218 --> 00:54:51,302 MAY NOT SHOW IT, BUT SHE'S YOUR MOTHER. 865 00:54:51,302 --> 00:54:53,304 I KNOW SHE FEELS IT. THERE'S NOT EVEN 866 00:54:53,304 --> 00:54:55,432 ENOUGH SPACE FOR EVERYBODY RIGHT NOW. 867 00:54:55,432 --> 00:54:58,227 SPACE? WHAT DO YOU MEAN, SPACE? WE GOT PLENTY OF SPACE. 868 00:55:00,979 --> 00:55:03,482 HUH! NOW, HERE'S A MAN, 869 00:55:03,482 --> 00:55:07,111 WALKS INTO A POST OFFICE IN SHAKER HEIGHTS, 870 00:55:07,111 --> 00:55:10,279 PULLS OUT A GUN, SHOOTS EVERYBODY, 871 00:55:10,279 --> 00:55:13,951 THEN TURNS THE GUN ON HIMSELF AND SHOOTS HIMSELF. 872 00:55:13,951 --> 00:55:16,870 YOU DON'T THINK THAT'S TERRIBLE? 873 00:55:16,870 --> 00:55:20,791 OF COURSE I THINK IT'S TERRIBLE. HUH. 874 00:55:20,791 --> 00:55:24,128 WHERE WE LIVE, THAT KIND OF SHOOTING HAPPEN EVERY DAY, 875 00:55:24,128 --> 00:55:26,547 AND NOBODY'D BE ON THE NEWS AND THE PAPER 876 00:55:26,547 --> 00:55:28,716 TALKING ABOUT WHAT A TRAGEDY IT IS. 877 00:55:28,716 --> 00:55:31,093 WHAT KIND OF GUN YOU SUPPOSE IT WAS? 878 00:55:31,093 --> 00:55:32,386 HE GOT EVERYBODY. 879 00:55:32,386 --> 00:55:34,012 [ Loretta ] MUST'VE BEEN SOMETHING AUTOMATIC. 880 00:55:34,012 --> 00:55:35,723 PROBABLY A DEUCE FIVE. 881 00:55:35,723 --> 00:55:39,518 YEP, DEUCE FIVE. IT'S A GOOD SUMMER GUN. 882 00:55:39,518 --> 00:55:41,770 WHAT'S A SUMMER GUN? 883 00:55:41,770 --> 00:55:45,107 YOU DON'T NEED A BIG COAT TO HIDE IT. 884 00:55:45,107 --> 00:55:48,276 HOW COME YOU KNOW SO MUCH ABOUT GUNS? 885 00:55:48,276 --> 00:55:51,279 THAT'S 'CAUSE EVERYONE BACK HOME HAS ONE. 886 00:55:51,279 --> 00:55:53,949 WELL, EVERYBODY EXCEPT ME, THAT IS. 887 00:55:53,949 --> 00:55:56,535 - YOU WANT ONE? - NOT EXACTLY. 888 00:55:56,535 --> 00:55:58,829 BUT I WILL NEED ONE. 889 00:55:58,829 --> 00:56:01,081 WHEN EVERYONE ELSE GETS STRAPPED, 890 00:56:01,081 --> 00:56:03,041 YOU GOTTA GET STRAPPED TOO. 891 00:56:03,041 --> 00:56:05,209 LORD. 892 00:56:05,209 --> 00:56:08,088 WHAT'S THE WORLD COMING TO? 893 00:56:15,178 --> 00:56:18,015 [ Horn Honks ] OH, THERE THEY ARE. 894 00:56:18,015 --> 00:56:20,017 [ Chuckles ] YOU COMING? 895 00:56:20,017 --> 00:56:22,853 UH... NO, NO. I'LL STAY UP HERE WITH ANNIE. 896 00:56:27,441 --> 00:56:30,778 [ Earl ] WELL, COME ON. HEY! HEY! 897 00:56:30,778 --> 00:56:32,946 COME ON. AHH! 898 00:56:32,946 --> 00:56:35,365 OH, MY BOY. MY BOY. 899 00:56:35,365 --> 00:56:37,993 - HOW YOU DOING, POPS? - ALL RIGHT. ALL RIGHT. 900 00:56:37,993 --> 00:56:40,788 HELLO! GIVE YOUR GRANDPA A HUG. 901 00:56:40,788 --> 00:56:44,041 OH, GOOD TO SEE YOU BOYS. HELLO, DARLING. 902 00:56:44,041 --> 00:56:46,043 HI. YEAH! 903 00:56:46,043 --> 00:56:49,004 OH, AND THIS IS THOMAS. THOMAS, I'M YOUR COUSIN WILL. 904 00:56:49,004 --> 00:56:50,923 HOW YOU DOING, COUSIN WILL? ALL RIGHT. 905 00:56:50,923 --> 00:56:52,466 AND THIS IS COLLIN AND JUSTIN. 906 00:56:52,466 --> 00:56:53,926 HI. HI. 907 00:56:53,926 --> 00:56:55,928 AND THIS IS COUSIN MONICA. HELLO. 908 00:56:55,928 --> 00:56:57,429 NICE TO MEET YOU. YOU TOO. 909 00:56:57,429 --> 00:56:59,348 WELL, MOTHER'S WAITING. 910 00:56:59,348 --> 00:57:00,933 YOU BOYS GET THE LUGGAGE OUT OF THE 911 00:57:00,933 --> 00:57:02,684 CAR, OKAY? THOMAS, YOU CAN HELP THEM. 912 00:57:02,684 --> 00:57:04,770 SO WHAT GRADE ARE YOU GUYS IN? 913 00:57:04,770 --> 00:57:08,023 SEVENTH. - ANNIE, LOOK WHO'S HERE. 914 00:57:15,280 --> 00:57:17,991 IT'S ME, MAMA. 915 00:57:17,991 --> 00:57:20,035 WILL, YOUR SON? MAMA? 916 00:57:20,035 --> 00:57:22,037 WE'LL BE RIGHT OVER HERE. 917 00:57:23,372 --> 00:57:26,583 IT'S WILL, MAMA, YOUR SON. 918 00:57:28,877 --> 00:57:31,421 MAMA, I WANT TO INTRODUCE YOU TO... WELL, YOU ALREADY MET. 919 00:57:31,421 --> 00:57:33,757 THIS IS MONICA, MY WIFE. REMEMBER HER? 920 00:57:34,800 --> 00:57:37,344 [ Gasps ] 921 00:57:39,847 --> 00:57:41,598 IT'S ALL RIGHT. 922 00:57:44,100 --> 00:57:45,894 THAT'S ALL RIGHT. SHE DOESN'T, UH... 923 00:57:45,894 --> 00:57:47,604 IT TAKES HER A LITTLE WHILE TO... 924 00:57:47,604 --> 00:57:50,023 I UNDERSTAND. 925 00:57:50,023 --> 00:57:52,985 BABY, GO AHEAD. TAKE A SEAT, IF YOU WANT. 926 00:57:52,985 --> 00:57:55,028 I'M FINE. 927 00:57:57,656 --> 00:57:59,658 LORETTA. 928 00:57:59,658 --> 00:58:01,660 COUSIN LORETTA. 929 00:58:01,660 --> 00:58:05,831 - OH, OH, OH, OH. HOW DO? - HEY, HOW YOU DOING? 930 00:58:05,831 --> 00:58:09,166 HOW'RE YOU DOING? NICE TO MEET YOU. 931 00:58:09,166 --> 00:58:12,296 - THIS IS TRACY. - HEY THERE, SNOOPY POOPIE. 932 00:58:12,296 --> 00:58:14,464 DON'T TOUCH HER. SHE OKAY, BUT JUST 933 00:58:14,464 --> 00:58:16,508 DON'T PUT YOUR HANDS IN HER FACE. 934 00:58:22,472 --> 00:58:24,433 WELL! EVERYBODY'S HOME. 935 00:58:24,433 --> 00:58:26,351 MM-HMM. 936 00:58:29,813 --> 00:58:33,025 ...IN THE WORLD THAT THEY ALL THOUGHT... ALL RIGHT, BABY. 937 00:58:33,025 --> 00:58:35,819 I WANNA EAT! ALL RIGHT. 938 00:58:35,819 --> 00:58:38,238 LET US BLESS THE TABLE... 939 00:58:40,741 --> 00:58:42,701 ROUND TWO. THERE YOU GO. 940 00:58:45,036 --> 00:58:48,039 I DON'T KNOW HOW SHE GONNA RECOGNIZE ME... 941 00:58:48,039 --> 00:58:50,417 WHEN SHE THINKS SOMEBODY ELSE IS HER OWN DEAD MOTHER. 942 00:58:50,417 --> 00:58:52,753 OH, YEAH. 943 00:58:52,753 --> 00:58:55,422 MAYBE SOMETHIN' WOULD COME BACK IF SHE SAW MORE OF YA. 944 00:58:55,422 --> 00:58:58,508 DAD, HOW MANY TIMES WE GOTTA TALK ABOUT THIS? 945 00:58:58,508 --> 00:59:00,636 I'M NOT MOVIN' BACK TO MISSISSIPPI. 946 00:59:00,636 --> 00:59:03,263 BUT YOUR ROOTS ARE HERE. 947 00:59:03,263 --> 00:59:07,016 YOU TAUGHT ME THAT MY ROOTS ARE HERE. 948 00:59:07,016 --> 00:59:09,686 MM. 949 00:59:09,686 --> 00:59:12,981 WHOSE... WHOSE MOVE IS IT? YOU ALWAYS DO THIS. 950 00:59:12,981 --> 00:59:16,902 WHY YOU ALWAYS START TALKIN', AND THEN YOU... YOUR MOVE. 951 00:59:18,195 --> 00:59:20,197 [ Chuckles ] 952 00:59:20,197 --> 00:59:22,199 YOUR MOVE. 953 00:59:22,199 --> 00:59:26,912 HOW LONG YOU THINK YOU GUYS WILL BE HERE? [ Boy ] TOO LONG. 954 00:59:26,912 --> 00:59:30,039 YOU BOYS GOT ENOUGH SHEETS AND BLANKETS IN THERE? YES, DAD. 955 00:59:30,039 --> 00:59:32,542 THOMAS IS SLEEPIN' UPSTAIRS WITH US TONIGHT. 956 00:59:32,542 --> 00:59:35,002 GIVE EVERYBODY THEIR SPACE. 957 00:59:49,016 --> 00:59:51,103 GOOD MORNIN'. 958 00:59:55,315 --> 00:59:58,485 YOU ALWAYS WAKE UP THIS EARLY ON A SUNDAY MORNING? 959 00:59:58,485 --> 01:00:00,737 JUST LATELY. 960 01:00:03,072 --> 01:00:07,494 [ Sighs ] IT'S BEEN 20 YEARS SINCE I BEEN IN THIS SWING. 961 01:00:08,578 --> 01:00:11,331 YOUR DADDY FIXED IT UP FOR THE KIDS. 962 01:00:11,331 --> 01:00:14,543 UH, NEVER DID THAT FOR MY KIDS. 963 01:00:14,543 --> 01:00:18,004 NOT THAT THEY WOULD USE IT ANYWAY, 964 01:00:18,004 --> 01:00:23,385 GIVEN ALL THE COMPUTER GAMES AND THE 50 CHANNELS. 965 01:00:23,385 --> 01:00:25,387 WEB-TV. 966 01:00:25,387 --> 01:00:27,639 THAT'S A LOT OF STUFF. 967 01:00:27,639 --> 01:00:30,559 YEAH. 968 01:00:30,559 --> 01:00:34,229 I KNOW HE WISHES HE COULD SEE 'EM MORE OFTEN. 969 01:00:34,229 --> 01:00:37,023 TOO BAD YOU ALL LIVE SO FAR AWAY. 970 01:00:37,023 --> 01:00:39,192 WELL, TOO BAD I GOTTA CHARGE A HUNDRED 971 01:00:39,192 --> 01:00:41,153 BUCKS AN HOUR JUST TO BREAK EVEN. 972 01:00:41,153 --> 01:00:44,281 LET ME ASK YOU SOMETHIN', LORETTA. 973 01:00:44,281 --> 01:00:48,076 YOU EVER WORK HARD ALL YOUR LIFE FOR SOMETHIN', 974 01:00:48,076 --> 01:00:52,039 AND THEN WHEN YOU FINALLY GET IT, YOU JUST... 975 01:00:52,039 --> 01:00:55,042 NO, I HAVEN'T. 976 01:00:55,042 --> 01:00:57,377 AND, NO, I HAVE NOT GOTTEN IT. 977 01:01:03,007 --> 01:01:05,009 WELL... 978 01:01:06,845 --> 01:01:08,847 YOU KNOW HOW TO SWING? 979 01:01:08,847 --> 01:01:12,684 - WHAT? - DO YOU KNOW HOW TO SWING? 980 01:01:12,684 --> 01:01:16,313 OH! [ Spits Coffee ] UH-HUH. 981 01:01:16,313 --> 01:01:20,484 - COME ON, CITY GIRL. - ALL RIGHT. DON'T LET ME FALL. 982 01:01:20,484 --> 01:01:24,071 I AIN'T GONNA LET YOU FALL. WELL, BOY... 983 01:01:24,071 --> 01:01:26,073 READY? HERE YOU GO. YEAH. 984 01:01:26,073 --> 01:01:30,035 [ Laughing ] 985 01:01:30,035 --> 01:01:34,206 [ Man ] ♪ GIVE YOU ONE THING WITHOUT A TIME ♪ 986 01:01:34,206 --> 01:01:36,124 ♪♪ [ Continues ] [ Boys Chattering ] 987 01:01:46,218 --> 01:01:49,845 I KNOW, I... 988 01:01:49,845 --> 01:01:52,015 IT'S, IT'S HARD ON HIM. 989 01:01:52,015 --> 01:01:57,020 IT'S HARD ON ALL OF US SEEIN' HER LIKE THIS. 990 01:01:57,020 --> 01:02:01,650 SHE'S NOT THE WAY SHE USED TO BE, BUT... 991 01:02:01,650 --> 01:02:04,027 MAYBE HE SEES HIMSELF. 992 01:02:04,027 --> 01:02:06,738 HMM? 993 01:02:06,738 --> 01:02:11,660 I THINK HE'S WORRIED ABOUT IT BEING... NOT CATCHING, BUT... 994 01:02:11,660 --> 01:02:14,246 I DON'T KNOW, HEREDITARY OR SOMETHING. I DON'T KNOW. 995 01:02:14,246 --> 01:02:18,375 A MAN HIS AGE WORRIED ABOUT ALZHEIMER'S? 996 01:02:18,375 --> 01:02:21,628 EVERY TIME HE FORGETS SOMETHING, HE GETS THIS... 997 01:02:21,628 --> 01:02:23,713 LOOK. 998 01:02:23,713 --> 01:02:27,342 OH, I CAN FIX THAT. NO, PLEASE. 999 01:02:27,342 --> 01:02:30,387 DON'T SAY ANYTHING. 1000 01:02:30,387 --> 01:02:32,931 IT'LL ONLY MAKE IT HARDER. 1001 01:02:34,724 --> 01:02:38,979 YOU TWO DOIN'... ANY BETTER THESE DAYS? 1002 01:02:40,939 --> 01:02:43,150 WORKING HARDER AT IT, ANYWAY. 1003 01:02:43,150 --> 01:02:45,777 [ Boy Laughing ] 1004 01:02:45,777 --> 01:02:49,030 TECHNICALLY, IT'S BIG-TIME CORPORATE LAW. 1005 01:02:49,030 --> 01:02:52,783 BUT, UH, MY PRACTICE, WE, WE FOCUS ON... 1006 01:02:52,783 --> 01:02:56,454 A SMALLER, MORE ENTREPRENEURIAL BASIS. 1007 01:02:56,454 --> 01:02:59,708 LET ME DO IT. I... I ALWAYS DO IT. 1008 01:02:59,708 --> 01:03:03,836 AUNT ANNIE, COULD YOU FETCH ME FROM THE REFRIGERATOR... 1009 01:03:03,836 --> 01:03:06,256 A RED GRAPEFRUIT, PLEASE, MA'AM? 1010 01:03:08,008 --> 01:03:10,010 HERE. 1011 01:03:10,010 --> 01:03:12,012 [ Whispers ] GRAPEFRUIT. 1012 01:03:13,430 --> 01:03:15,974 THANK YOU. 1013 01:03:17,808 --> 01:03:20,562 WOULD YOU PLEASE TELL ME WHAT THE HELL IS A "RED GRAPEFRUIT"? 1014 01:03:20,562 --> 01:03:23,231 YOU DON'T FIGHT HER, YOU JOIN HER. 1015 01:03:23,231 --> 01:03:26,026 TELL ME WHAT IS "ENTREPRENEURIAL." 1016 01:03:26,026 --> 01:03:29,404 IT'S HELPING PEOPLE RISE ABOVE THEIR ECONOMIC SURROUNDINGS... 1017 01:03:29,404 --> 01:03:34,034 BY TEACHING THEM HOW TO START SMALL BUSINESSES OF THEIR OWN. 1018 01:03:34,034 --> 01:03:38,038 ALL YOU HAVE TO DO IS FIND OUT WHAT PEOPLE WANT. 1019 01:03:38,038 --> 01:03:42,500 AND THEN YOU FIGURE OUT A WAY TO GIVE IT TO 'EM... FOR A PROFIT. 1020 01:03:43,792 --> 01:03:48,215 UNDERSTAND? UH, I KNOW ALL ABOUT THAT. 1021 01:03:48,215 --> 01:03:50,592 DON'T LET HIM GET IT. [ Laughs ] 1022 01:03:50,592 --> 01:03:54,471 LOOK AT HIM. LOOK AT HIM. WAY OFF. 1023 01:03:54,471 --> 01:03:58,350 [ Thomas ] COME ON, Y'ALL. [ Collin ] NICE TRY, NICE TRY. 1024 01:03:58,350 --> 01:04:02,020 SO, BASICALLY, YOU'RE SUPPLYING PEOPLE WITH WHAT THEY NEED. 1025 01:04:02,020 --> 01:04:06,441 MM-HMM. MM-HMM! THAT'S IT. THAT'S IT EXACTLY. 1026 01:04:06,441 --> 01:04:09,277 LORETTA, WHAT I'M TALKIN' ABOUT... 1027 01:04:09,277 --> 01:04:13,031 IS CREATING JOBS. 1028 01:04:13,031 --> 01:04:16,493 CREATING JOBS FOR THE COMMUNITY. 1029 01:04:16,493 --> 01:04:18,411 HMPH. 1030 01:04:21,539 --> 01:04:25,210 SO THIS MARCO... WHAT DOES HE SELL? 1031 01:04:34,844 --> 01:04:36,762 OH. 1032 01:04:40,475 --> 01:04:43,103 AND IN FRONT OF HIS LITTLE SISTER. 1033 01:04:43,103 --> 01:04:46,273 WHY'D YOU DO THAT FOR? TRACY! 1034 01:04:48,024 --> 01:04:50,443 [ Thomas ] TRACY, DON'T GO IN THERE. 1035 01:04:50,443 --> 01:04:52,070 HOW YOU DOIN' IN THERE? 1036 01:04:52,070 --> 01:04:55,698 I GUESS I'LL MAKE IT. 1037 01:04:55,698 --> 01:04:59,244 COME ON, TRACY. 1038 01:04:59,244 --> 01:05:01,454 SNAKE! SNAKE! 1039 01:05:03,498 --> 01:05:07,002 OH, NO! OH! 1040 01:05:07,002 --> 01:05:09,004 THAT'S JUST A LITTLE OL' GARTER SNAKE. 1041 01:05:09,004 --> 01:05:10,338 THAT WON'T HURT NOBODY. 1042 01:05:10,338 --> 01:05:14,175 ERA UNA CULEBRA, STUPIDO. OH. 1043 01:05:14,175 --> 01:05:17,387 HEY! HEY, DON'T YOU TOUCH HIM! 1044 01:05:17,387 --> 01:05:19,097 YOU GOT SOMETHIN' TO SAY, YOU SAY IT TO ME! 1045 01:05:19,097 --> 01:05:20,223 I'M NOT TALKING TO YOU! 1046 01:05:20,223 --> 01:05:21,640 YOU DON'T TALK TO MY KIDS. I TALK TO MY 1047 01:05:21,640 --> 01:05:23,018 KIDS. THAT'S MY JOB. YOU UNDERSTAND? 1048 01:05:23,018 --> 01:05:26,354 SEE WHAT I'M TALKING ABOUT, WILL? WHAT? 1049 01:05:26,354 --> 01:05:29,024 WE DON'T BELONG HERE. 1050 01:05:36,990 --> 01:05:40,535 COME HERE. [ Sighs ] 1051 01:05:51,254 --> 01:05:53,340 HMM. 1052 01:05:54,883 --> 01:05:56,885 HMM. 1053 01:05:56,885 --> 01:06:01,222 YOU'RE STILL COMIN' LABOR DAY, HMM? [ Sighs ] 1054 01:06:01,222 --> 01:06:05,143 THINK ABOUT IT. HMM? 1055 01:06:05,143 --> 01:06:08,104 I LOVE YOU, POP. AHH. 1056 01:06:11,149 --> 01:06:13,193 BYE, EVERYBODY. 1057 01:06:13,193 --> 01:06:15,028 [ Monica ] BYE. 1058 01:06:15,028 --> 01:06:17,781 ALL RIGHT. [ Justin ] BYE, GRANDPA. 1059 01:06:40,011 --> 01:06:42,013 [ Clears Throat ] 1060 01:06:42,013 --> 01:06:46,017 [ Thunderclaps ] [ Earl Chattering, lndistinct ] 1061 01:06:46,017 --> 01:06:49,020 JUST CALM YOURSELF DOWN. 1062 01:06:49,020 --> 01:06:51,314 [ Continues Indistinct ] 1063 01:06:54,859 --> 01:06:56,319 THERE'S NOTHING WE CAN DO. 1064 01:06:56,319 --> 01:06:57,862 [ Annie ] WHY ARE YOU JUST STANDIN' THERE? 1065 01:06:57,862 --> 01:06:59,489 DO SOMETHIN'! TELL ME WHAT TO DO. 1066 01:06:59,489 --> 01:07:00,907 I'LL DO WHATEVER YOU WANT. 1067 01:07:00,907 --> 01:07:03,201 WE GOTTA DO SOMETHIN'! WE CAN'T JUST LEAVE 1068 01:07:03,201 --> 01:07:05,245 THEM THERE. THEY'LL GET WASHED AWAY! 1069 01:07:05,245 --> 01:07:07,122 [ Earl ] NO, NO, NO. I'M SURE SHERIFF 1070 01:07:07,122 --> 01:07:09,165 ODOM IS OUT THERE WITH HIS MEN, AND... 1071 01:07:09,165 --> 01:07:12,001 COME ON. SLOW DOWN. PLEASE, SIT DOWN. [ Nervous Crying ] 1072 01:07:12,001 --> 01:07:15,713 COME ON AND SIT DOWN. CALM YOURSELF, NOW. 1073 01:07:15,713 --> 01:07:19,008 SLOW DOWN. SLOW DOWN, ANNIE. 1074 01:07:19,008 --> 01:07:21,552 IT'S ALL RIGHT, BABY. IT'S ALL RIGHT. 1075 01:07:21,552 --> 01:07:24,555 SIT HERE. SIT RIGHT HERE. COME ON. 1076 01:07:24,555 --> 01:07:28,101 ALL RIGHT, THAT'S IT. THAT'S IT. DON'T WORRY. 1077 01:07:28,101 --> 01:07:31,438 JUST GO IN. YOU CALL ZENIA... 1078 01:07:31,438 --> 01:07:33,440 AND TELL HER ANNIE'S HAVING A BAD NIGHT. 1079 01:07:33,440 --> 01:07:34,816 TELL HER TO CALL BACK. WHEN THE PHONE 1080 01:07:34,816 --> 01:07:36,151 RINGS, LET ME ANSWER IT. GO AHEAD. 1081 01:07:36,151 --> 01:07:38,903 DON'T WORRY ABOUT WAKING HER UP OR ANYTHING. 1082 01:07:38,903 --> 01:07:41,572 ANNIE, I'M SURE SHERIFF ODOM IS OUT 1083 01:07:41,572 --> 01:07:43,950 THERE DOING EVERYTHING HE CAN. 1084 01:07:43,950 --> 01:07:46,453 HE'LL GET 'EM ALL OUT OF THERE. HE CAN'T GET TO 'EM! 1085 01:07:46,453 --> 01:07:48,705 [ Earl ] HE'S BEEN DOIN' THIS STUFF A LONG, LONG TIME. 1086 01:07:48,705 --> 01:07:51,166 [ Phone Ringing ] HE'S GOT A LOT TO DO. OH, LISTEN TO THAT. 1087 01:07:51,166 --> 01:07:53,835 I'LL BET THAT'S WHO IT IS RIGHT NOW. HELLO. 1088 01:07:53,835 --> 01:07:55,879 AH, SHERIFF ODOM. I WAS HOPING YOU'D 1089 01:07:55,879 --> 01:07:57,964 GIVE US A CALL. WE WERE VERY WOR... 1090 01:07:57,964 --> 01:08:01,718 UH-HUH. UH-HUH! EVERYBODY? 1091 01:08:01,718 --> 01:08:06,014 OH! YOU GOT EVERYBODY SAFE FROM THE FLOOD, HUH? 1092 01:08:06,014 --> 01:08:08,099 THANKS SO MUCH. THANK YOU. 1093 01:08:08,099 --> 01:08:11,477 DID YOU HEAR THAT? EVERYBODY GOT OUT. 1094 01:08:11,477 --> 01:08:14,147 SHERIFF ODOM RESCUED THEM ALL. YOU KNOW WHAT HE SAID? 1095 01:08:14,147 --> 01:08:18,234 HE SAID WE OUGHTA GO OVER THERE TOMORROW AND SEE FOR OURSELVES. 1096 01:08:18,234 --> 01:08:22,030 THAT'LL BE NICE, WON'T IT? THAT WOULD BE LOVELY. 1097 01:08:22,030 --> 01:08:26,533 NOW WE CAN GO BACK TO BED. HMM? THAT'S IT. 1098 01:08:29,704 --> 01:08:32,165 MORNIN'! MORNING. 1099 01:08:34,584 --> 01:08:37,587 OH, THANK YOU. HOW'S AUNT ANNIE DOIN'? 1100 01:08:37,587 --> 01:08:41,007 [ Chuckles ] SHE'S SLEEPIN' LIKE A LITTLE BABY. 1101 01:08:41,007 --> 01:08:45,053 SHE WON'T REMEMBER NOTHIN' ABOUT LAST NIGHT. 1102 01:08:45,053 --> 01:08:48,890 YOU KNOW, LORETTA, 1103 01:08:48,890 --> 01:08:51,017 I GUESS YOU'VE, UH, 1104 01:08:53,019 --> 01:08:55,230 BEEN THROUGH A LOT OF THINGS THAT HAVEN'T 1105 01:08:55,230 --> 01:08:57,190 BEEN TOO EASY FOR YOU IN YOUR LIFE, 1106 01:08:57,190 --> 01:09:00,902 AND I GUESS YOU'VE SEEN AND DONE SOME THINGS... 1107 01:09:00,902 --> 01:09:05,031 THAT I NEVER WILL EVER UNDERSTAND. 1108 01:09:07,407 --> 01:09:10,036 YOU'RE A SINCLAIR. 1109 01:09:10,036 --> 01:09:12,580 AND THAT MEANS SOMETHIN' TO US. 1110 01:09:13,915 --> 01:09:16,626 I HOPE IT MEANS SOMETHING TO YOU. 1111 01:09:22,966 --> 01:09:25,552 WE BETTER GET DOWN TO THE RESTAURANT. 1112 01:09:25,552 --> 01:09:27,303 A LOT OF CHICKEN WAITIN'. 1113 01:09:33,309 --> 01:09:35,687 HEY, EARL. HEY, CARL. 1114 01:09:35,687 --> 01:09:39,065 HEY, CARL. HOW YOU DOIN'? SAME OL', SAME OL'. 1115 01:09:39,065 --> 01:09:41,359 YOU DON'T LOOK TOO HAPPY TODAY. 1116 01:09:41,359 --> 01:09:44,320 THEY TALKIN' ABOUT CUTTING BACK AT THE PLANT. 1117 01:09:44,320 --> 01:09:48,199 WHAT THE HELL'S "HORSERADISH-CILANTRO 1118 01:09:48,199 --> 01:09:50,076 CREAMED CHICKEN"? 1119 01:09:50,076 --> 01:09:53,204 EXACTLY WHAT IT SOUNDS LIKE. ON TOAST. 1120 01:09:53,204 --> 01:09:57,208 THINK I'LL STICK WITH THE FRIED DINNER. GOOD IDEA. 1121 01:09:57,208 --> 01:10:00,587 WAIT A MINUTE. HOW'S MY FIGURIN'? 1122 01:10:00,587 --> 01:10:04,423 WH-WHAT DO YOU REALLY THINK OF THOMAS HAVING A GUN? 1123 01:10:04,423 --> 01:10:08,261 WELL, I'LL TRY TO HOLD IT OFF AS LONG AS I CAN, 1124 01:10:08,261 --> 01:10:10,638 BUT ONCE HE STARTS HANGIN' AROUND THE OLDER 1125 01:10:10,638 --> 01:10:13,016 BOYS IN SCHOOL, HE BASICALLY GONNA NEED IT. 1126 01:10:14,559 --> 01:10:17,520 MAYBE I CAN USE THAT, UH, THAT TIGER 1127 01:10:17,520 --> 01:10:20,023 HE'S ALWAYS CARRYING AROUND... 1128 01:10:20,023 --> 01:10:24,068 TO SHOW HIM WHAT GUNS REALLY DO TO PEOPLE. 1129 01:10:24,068 --> 01:10:26,738 I DON'T MIND, BUT THEY LOVE THAT THING. 1130 01:10:26,738 --> 01:10:29,073 WELL, I'LL GET 'EM ANOTHER ONE THEN. 1131 01:10:30,324 --> 01:10:32,827 OH-HO. 1132 01:10:32,827 --> 01:10:35,038 HUH? HUH! 1133 01:10:37,331 --> 01:10:40,126 HOW CLOSE YOU RECKON YOU'LL BE TO 1134 01:10:40,126 --> 01:10:43,004 SOMEBODY IF YOU HAD TO SHOOT 'IM? 1135 01:10:43,004 --> 01:10:45,798 I GUESS ABOUT TEN FEET. 1136 01:10:45,798 --> 01:10:48,259 HMM. [ Cocks Rifle ] 1137 01:10:48,259 --> 01:10:50,261 ALL RIGHT. 1138 01:10:50,261 --> 01:10:54,223 THIS IS BASIC, BUT IT'S IMPORTANT. 1139 01:10:54,223 --> 01:10:58,061 YOU WANNA STAND WITH YOUR FEET APART. 1140 01:10:58,061 --> 01:11:01,189 [ Coughs ] YOU WANNA PUT THE STOCK HERE... 1141 01:11:01,189 --> 01:11:05,026 HARD AGAINST YOUR SHOULDER SO YOU CAN STEADY IT. 1142 01:11:05,026 --> 01:11:08,029 AND YOU AIM DOWN THE BARREL. 1143 01:11:08,029 --> 01:11:10,031 AND WHEN YOU'RE READY... 1144 01:11:13,325 --> 01:11:16,204 [ Chuckling ] YOU BLOWED IT AWAY. 1145 01:11:16,204 --> 01:11:18,581 MM. 1146 01:11:20,917 --> 01:11:24,003 HERE. YO, DUDE. 1147 01:11:24,003 --> 01:11:28,298 LOOK AT ME. I GOT MYSELF A "SHOTTIE." 1148 01:11:28,298 --> 01:11:30,802 WHAT'S THE FIRST THING YOU DO? 1149 01:11:30,802 --> 01:11:35,974 FEET APART. STEADY IT. 1150 01:11:35,974 --> 01:11:38,851 MM-HMM. AND WHEN YOU'RE READY... 1151 01:11:38,851 --> 01:11:40,770 [ Rifle Fires ] AAH! 1152 01:11:43,022 --> 01:11:45,525 [ Chuckles ] DID YOU SEE THAT? 1153 01:11:45,525 --> 01:11:48,444 DID YOU SEE THAT, MAN? I DID HIM! 1154 01:11:48,444 --> 01:11:51,698 I DID HIM GOOD! 1155 01:11:51,698 --> 01:11:55,702 WELL, LET'S TAKE A LOOK. 1156 01:11:57,912 --> 01:12:03,001 NOW, I WANT YOU TO SEE WHAT GUNS CAN DO TO PEOPLE. 1157 01:12:07,004 --> 01:12:10,383 NO. NO! WHAT DID YOU DO THAT FOR? 1158 01:12:10,383 --> 01:12:12,635 HE'S GONNA BUY ANOTHER ONE. WHOA! 1159 01:12:12,635 --> 01:12:14,846 WHERE DID THAT MONEY COME FROM? 1160 01:12:14,846 --> 01:12:17,181 ANSWER ME! WHERE DID THAT MONEY COME FROM? 1161 01:12:17,181 --> 01:12:18,683 IT'S MINE, YOU UNDERSTAND? 1162 01:12:18,683 --> 01:12:21,019 I MADE IT TAKING PICTURES OF PEOPLE DOWNTOWN. 1163 01:12:21,019 --> 01:12:22,353 WHAT WAS YOU THINKIN' 'BOUT, 1164 01:12:22,353 --> 01:12:24,063 STUFFIN' IT IN THE BACK OF A LION? 1165 01:12:24,063 --> 01:12:26,566 'CAUSE I KNEW IT'D BE THE ONE THING YOU 1166 01:12:26,566 --> 01:12:29,026 WOULDN'T SELL AWAY FOR DRUGS OR LIQUOR. 1167 01:12:37,869 --> 01:12:40,037 [ Sighs ] 1168 01:12:45,543 --> 01:12:47,962 DID YOU, UH, 1169 01:12:49,797 --> 01:12:54,427 REALLY GET THIS MONEY TAKIN' PICTURES? 1170 01:12:54,427 --> 01:12:56,387 YEAH. 1171 01:13:01,017 --> 01:13:03,019 HMM. 1172 01:13:03,019 --> 01:13:05,062 [ Door Opening ] 1173 01:13:09,901 --> 01:13:14,030 WHEN WE GET BACK TO CHICAGO, WE GOIN' TO THE BANK. 1174 01:13:14,030 --> 01:13:16,657 WE GONNA OPEN YOU UP A SAVINGS ACCOUNT. 1175 01:13:16,657 --> 01:13:18,993 AND CAN'T NOBODY TOUCH THAT MONEY. 1176 01:13:18,993 --> 01:13:21,037 NOT ME, GRANDMA ROSA, TRACY. 1177 01:13:21,037 --> 01:13:23,831 NOBODY. THAT'S YOURS. 1178 01:13:25,792 --> 01:13:27,960 WAIT. IF YOU DON'T PUT IT PERFECT, 1179 01:13:27,960 --> 01:13:29,629 THEY AIN'T GONNA TAKE IT. 1180 01:13:32,548 --> 01:13:35,551 THEN, AFTER I GET ME A JOB WAITRESSING, 1181 01:13:35,551 --> 01:13:37,970 I'M GONNA GET ME AN ACCOUNT... 1182 01:13:37,970 --> 01:13:40,890 TO SAVE SOME MONEY. DO WE HAVE TO GO BACK? 1183 01:13:42,308 --> 01:13:47,313 YES! THAT'S WHERE WE LIVE. 1184 01:13:47,313 --> 01:13:50,024 AND WHAT ABOUT YOUR GRANDMA? [ Sighs ] 1185 01:13:50,024 --> 01:13:53,402 THOMAS, WE CAN MAKE US A GOOD HOME. 1186 01:13:58,115 --> 01:14:00,993 I GOT BUSINESS TO TEND TO, BROTHER. 1187 01:14:00,993 --> 01:14:03,329 WHAT ABOUT NATHAN? 1188 01:14:05,039 --> 01:14:08,084 [ Laughing ] 1189 01:14:14,006 --> 01:14:16,634 [ TV Indistinct ] OKAY. 1190 01:14:16,634 --> 01:14:19,011 BYE-BYE, ANNIE. 1191 01:14:19,011 --> 01:14:21,096 BYE-BYE. BYE-BYE. 1192 01:14:21,096 --> 01:14:24,016 BYE-BYE. OKAY. 1193 01:14:24,016 --> 01:14:26,269 BYE-BYE, AUNT ANNIE. BYE-BYE. 1194 01:14:26,269 --> 01:14:28,312 YEAH. BYE-BYE. 1195 01:14:28,312 --> 01:14:30,273 BYE-BYE. 1196 01:14:32,859 --> 01:14:35,736 TRACY! OOH! 1197 01:14:36,946 --> 01:14:39,407 BYE-BYE. BYE-BYE. 1198 01:14:39,407 --> 01:14:41,784 [ Yelling, Laughing ] 1199 01:14:41,784 --> 01:14:45,037 COME HERE! [ Kisses ] 1200 01:14:45,037 --> 01:14:49,000 BYE-BYE. OH, ANNIE! BYE-BYE. BYE-BYE. 1201 01:14:49,000 --> 01:14:51,419 [ Yelling, Laughing ] 1202 01:14:51,419 --> 01:14:54,297 BYE. OH! BYE. 1203 01:14:54,297 --> 01:14:57,884 BYE-BYE, GIRL. BYE-BYE! 1204 01:14:57,884 --> 01:15:01,596 BYE-BYE, MY LADY DOLL. [ Laughing ] BYE-BYE. 1205 01:15:01,596 --> 01:15:03,598 OH, GIRL! 1206 01:15:03,598 --> 01:15:06,559 YOU KNOW, I BEEN THINKIN'. 1207 01:15:06,559 --> 01:15:08,811 WHAT YOU BEEN THINKIN' NOW? 1208 01:15:08,811 --> 01:15:11,898 HOW 'BOUT PUTTING IN A SUGGESTION BOX? 1209 01:15:11,898 --> 01:15:14,191 IS IT TIME FOR YOUR BREAK YET? 1210 01:15:14,191 --> 01:15:18,279 YOU ASKED ME THAT FIVE MINUTES AGO. HMM. 1211 01:15:18,279 --> 01:15:21,324 WHY DON'T YOU GO WALK AROUND AND VISIT WITH THE CUSTOMERS? 1212 01:15:21,324 --> 01:15:24,869 - WHAT? - ASK THEM IS EVERYTHING OKAY. 1213 01:15:24,869 --> 01:15:27,204 COM... TRY IT. 1214 01:15:27,204 --> 01:15:29,206 TRY IT. 1215 01:15:37,798 --> 01:15:40,009 [ Man ] HEY, EARL. 1216 01:15:40,009 --> 01:15:42,553 HOW YA DOIN'? [ Chuckles ] 1217 01:15:42,553 --> 01:15:46,974 OH, UH, HOW IS IT? 1218 01:15:46,974 --> 01:15:50,018 OH, WELL, I-IT'S JUST FINE. UH-HUH. 1219 01:15:50,018 --> 01:15:54,022 I NEVER HAD HORSERADISH-CILANTRO CREAMED CHICKEN BEFORE. 1220 01:15:54,022 --> 01:15:57,151 MEXICO. I GOT THAT FROM MEXICO. [ Laughing ] 1221 01:15:57,151 --> 01:16:00,111 IT'S HORSERADISH WITH, UH... LIKE IT? 1222 01:16:00,111 --> 01:16:02,030 [ Woman ] OH, IT'S GOOD. 1223 01:16:04,242 --> 01:16:07,703 HEY, CARL. SAME OL', SAME OL'? NOT EXACTLY, LORETTA. 1224 01:16:07,703 --> 01:16:09,914 I GOT SOMETHING FOR EARL. I THINK 1225 01:16:09,914 --> 01:16:12,040 YOU BETTER TAKE A LOOK AT THIS. 1226 01:16:12,040 --> 01:16:14,042 YEAH? ALL RIGHT. 1227 01:16:17,964 --> 01:16:20,090 WELL, THERE GOES THE TOWN! 1228 01:16:20,090 --> 01:16:24,010 [ Sighs ] THEY'RE GONNA CLOSE THE CHICKEN PLANT. 1229 01:16:24,010 --> 01:16:26,889 WHAT ABOUT SETTIN' UP A PICKET LINE IN FRONT OF THE PLANT? 1230 01:16:26,889 --> 01:16:30,768 Y'ALL OUGHT TO PICKET. THEY CAN'T DO THAT. 1231 01:16:30,768 --> 01:16:34,020 UNCLE EARL? [ Mumbles ] 1232 01:16:34,020 --> 01:16:36,649 YOU, UH... THANK YOU. 1233 01:16:42,113 --> 01:16:45,449 HERE. LATER. CLOSE UP FOR ME, GINA. 1234 01:16:59,004 --> 01:17:01,215 CONSOLIDATION! 1235 01:17:03,759 --> 01:17:06,928 TAKIN' THE FOOD OFF THE TABLE... 1236 01:17:06,928 --> 01:17:11,642 OF OVER 200 FAMILIES JUST TO SAVE SOME MONEY. 1237 01:17:14,978 --> 01:17:17,398 ARE YOU OKAY? 1238 01:17:17,398 --> 01:17:21,360 [ Sighs ] TIMES LIKE THESE, 1239 01:17:21,360 --> 01:17:23,696 IT'S HARD TO REMEMBER ALL THE GOOD 1240 01:17:23,696 --> 01:17:26,157 THINGS THAT HAPPENED IN YOUR LIFE. 1241 01:17:26,157 --> 01:17:28,908 GOOD WIFE. 1242 01:17:28,908 --> 01:17:32,705 SUCCESSFUL, WELL-EDUCATED SON. 1243 01:17:32,705 --> 01:17:34,707 GOOD BUSINESS. 1244 01:17:34,707 --> 01:17:39,295 THERE'S OVER 150 YEARS... 1245 01:17:39,295 --> 01:17:43,090 OF FAMILY HISTORY RIGHT HERE. 1246 01:17:45,051 --> 01:17:49,013 JESSE BROUGHT NATHAN OUT HERE, AND HE BURIED HIM... 1247 01:17:49,013 --> 01:17:51,682 RIGHT UNDER HIS FAVORITE TREE. 1248 01:17:51,682 --> 01:17:54,018 WHY? 1249 01:17:54,018 --> 01:17:58,689 WELL, IT WAS DURING THE CIVIL WAR. 1250 01:18:00,775 --> 01:18:03,902 THERE WERE NO REAL LAWS... 1251 01:18:03,902 --> 01:18:06,072 TO PROTECT ANYBODY. 1252 01:18:06,072 --> 01:18:10,034 NORTHERN SOLDIERS, SOUTHERN SOLDIERS AND FREED SLAVES... 1253 01:18:10,034 --> 01:18:12,745 ALL RUNNIN' AROUND, 1254 01:18:12,745 --> 01:18:16,040 TRYIN' TO GET THEIR HANDS ON ANYTHING THEY COULD FIND. 1255 01:18:22,088 --> 01:18:25,341 [ Earl ] JESSE TOOK NATHAN OFF THAT MANTELPIECE... 1256 01:18:25,341 --> 01:18:28,010 RIGHT IN THAT HOUSE WE'RE IN NOW. 1257 01:18:43,067 --> 01:18:46,821 OLD JESSE'S HEART MUST'VE BEEN BEATIN' A MILE A MINUTE... 1258 01:18:46,821 --> 01:18:51,742 WHEN HE WAS CARRYIN' NATHAN IN THAT SACK PAST ALL THOSE PEOPLE. 1259 01:18:53,035 --> 01:18:57,289 TO JESSE, IT WAS HIS PAST AND HIS FUTURE. 1260 01:18:58,791 --> 01:19:00,751 JESSE STOLE HIM. 1261 01:19:00,751 --> 01:19:04,713 NO, NO, NO, NO. HE WAS PROTECTIN' HIM. 1262 01:19:04,713 --> 01:19:06,465 HE TOOK HIM OFF THE MANTLE, AND HE BROUGHT 1263 01:19:06,465 --> 01:19:08,008 HIM OUT HERE AND HE BURIED HIM DEEP... 1264 01:19:08,008 --> 01:19:11,011 RIGHT HERE UNDER THIS TREE. 1265 01:19:14,140 --> 01:19:17,726 THEN HE TOOK OFF FOR A WHILE. 1266 01:19:20,521 --> 01:19:23,524 BUT THINGS SETTLED DOWN, 1267 01:19:23,524 --> 01:19:26,610 AND IN A COUPLE OF YEARS, HE CAME BACK. 1268 01:19:26,610 --> 01:19:28,862 HE DUG NATHAN UP, 1269 01:19:30,030 --> 01:19:32,283 HID HIM UNDER HIS BED. 1270 01:19:32,283 --> 01:19:35,995 YOU KNOW, MAMA HIDE NATHAN AWAY TOO. 1271 01:19:35,995 --> 01:19:37,580 SHE BEEN KEEPIN' HIM THE LAST FEW 1272 01:19:37,580 --> 01:19:39,039 YEARS LOCKED UP AT HER CHURCH. 1273 01:19:40,541 --> 01:19:45,254 JESSE WOULD TAKE NATHAN OUT AND TALK TO HIM. 1274 01:19:45,254 --> 01:19:48,966 TALK TO HIM? - MM-HMM. 1275 01:19:48,966 --> 01:19:50,884 YEAH, I GUESS HIS WIFE AND KIDS 1276 01:19:50,884 --> 01:19:53,304 THOUGHT JESSE WAS A LITTLE BIT CRAZY, 1277 01:19:53,304 --> 01:19:56,015 BUT THAT'S WHAT HE'D DO. 1278 01:19:56,015 --> 01:19:58,267 HE'D TAKE NATHAN RIGHT OUT FROM 1279 01:19:58,267 --> 01:20:01,020 UNDER HIS BED, AND HE'D SIT DOWN... 1280 01:20:01,020 --> 01:20:03,355 AND HE WOULD TALK TO HIM. 1281 01:20:05,691 --> 01:20:07,610 EVER SINCE... 1282 01:20:10,029 --> 01:20:12,448 ANNIE GOT SICK, 1283 01:20:14,033 --> 01:20:19,079 I'VE BEEN THINKIN' HOW I COULD GET NATHAN AND WILL... 1284 01:20:19,079 --> 01:20:22,749 BACK DOWN HERE IN THE DELTA... 1285 01:20:22,749 --> 01:20:26,836 SO WE COULD TALK TO NATHAN. 1286 01:20:26,836 --> 01:20:29,423 THERE'S GOTTA BE SOMETHIN' YOU CAN DO, UNCLE EARL. 1287 01:20:30,591 --> 01:20:35,012 LOOKS LIKE I'VE GONE JUST ABOUT AS FAR AS, 1288 01:20:35,012 --> 01:20:37,014 AS I WAS MEANT TO GO. 1289 01:20:37,014 --> 01:20:39,600 [ Grunts ] 1290 01:21:01,830 --> 01:21:04,166 [ Camera Shutter Clicks ] 1291 01:21:09,922 --> 01:21:12,424 [ Creaking ] 1292 01:21:18,514 --> 01:21:21,308 [ Whispering ] COME ON. 1293 01:21:21,308 --> 01:21:23,644 [ Rustling ] [ Annie Cries ] 1294 01:21:26,647 --> 01:21:29,108 ZENIA? 1295 01:21:29,108 --> 01:21:31,568 ZENIA! 1296 01:21:35,489 --> 01:21:37,408 ZENIA! 1297 01:21:39,034 --> 01:21:40,869 WE'RE ALL GONNA MISS YOU VERY MUCH. 1298 01:21:40,869 --> 01:21:42,454 [ Phone Ringing ] 1299 01:21:42,454 --> 01:21:45,249 NO, YOU AIN'T. JUST CHICKEN. [ Zenia ] I NEED EARL RIGHT AWAY. 1300 01:21:45,249 --> 01:21:48,836 HANG ON. EARL, ZENIA SAY HURRY UP. 1301 01:21:51,338 --> 01:21:54,341 HELLO. - ANNIE'S TAKEN A FALL, AND I HAD TO... 1302 01:21:54,341 --> 01:21:56,343 SLOW DOWN. I CALLED AN AMBULANCE. 1303 01:21:56,343 --> 01:21:58,595 THEY'VE TAKEN HER TO COUNTY HOSPITAL. 1304 01:21:58,595 --> 01:22:02,891 [ Loretta ] THOMAS, IT'S NOT TOO BAD. IT'S OKAY. 1305 01:22:02,891 --> 01:22:05,019 [ Thomas ] I'M SORRY. IT'S OKAY. I'M... 1306 01:22:05,019 --> 01:22:07,563 UNCLE EARL TOLD ME NOT TO LEAVE THE DOOR OPEN. 1307 01:22:07,563 --> 01:22:09,898 -DON'T WORRY. I WILL CALL YOU. 1308 01:22:09,898 --> 01:22:12,568 - IS SHE GONNA BE OKAY? - YES. OKAY. 1309 01:22:12,568 --> 01:22:14,736 [ Crying ] OKAY. BYE, MAMA. - BYE-BYE. 1310 01:22:17,072 --> 01:22:19,575 HOW'S THOMAS HOLDIN' UP? 1311 01:22:24,704 --> 01:22:29,043 [ Crying ] OH, IT'S ALL RIGHT. IT'S ALL RIGHT. 1312 01:22:29,043 --> 01:22:31,754 [ Sobbing ] I'M SORRY. 1313 01:22:31,754 --> 01:22:34,256 ALL RIGHT. MM, MM. 1314 01:22:48,896 --> 01:22:52,483 [ Man ] MR. SINCLAIR? HMM? 1315 01:22:52,483 --> 01:22:55,569 FROM THE IMMEDIATE MEDICAL PERSPECTIVE, IT WENT VERY WELL. 1316 01:22:55,569 --> 01:22:57,905 [ Loretta ] THANK GOD. IT WAS A VERY CLEAN BREAK, 1317 01:22:57,905 --> 01:23:01,200 SO BASICALLY ALL WE HAD TO DO WAS RESET THE HIP. 1318 01:23:01,200 --> 01:23:03,535 IT'LL TAKE A FEW HOURS OF OBSERVATION TO SEE 1319 01:23:03,535 --> 01:23:05,954 WHAT HAPPENS AFTER THE ANESTHESIA WEARS OFF. 1320 01:23:05,954 --> 01:23:07,748 WE'LL LET YOU KNOW THE MINUTE THERE'S 1321 01:23:07,748 --> 01:23:09,208 A CHANGE. THANK YOU, DOCTOR. 1322 01:23:09,208 --> 01:23:12,044 YOU'RE WELCOME, SIR. 1323 01:23:12,044 --> 01:23:15,255 [ Sighs ] 1324 01:23:15,255 --> 01:23:19,634 NOW, I GUESS I BETTER GO CALL WILL. 1325 01:23:19,634 --> 01:23:21,594 [ Sighs ] 1326 01:23:26,225 --> 01:23:28,977 WHAT'RE YOU THINKIN' ABOUT? 1327 01:23:28,977 --> 01:23:30,979 YOU. 1328 01:23:30,979 --> 01:23:35,943 YOU AND AUNT ANNIE. HOW YOU ARE WITH HER. 1329 01:23:35,943 --> 01:23:41,031 I GUESS IF IT WAS THE OTHER WAY AROUND, HER LOOKIN' AFTER YOU, 1330 01:23:41,031 --> 01:23:44,034 I COULD SEE IT EASIER. 1331 01:23:44,034 --> 01:23:46,703 EVERYBODY ALWAYS TALK ABOUT WOMEN 1332 01:23:46,703 --> 01:23:49,164 STANDIN' BY THEIR MEN, BUT... 1333 01:23:49,164 --> 01:23:53,293 [ Scoffs ] MOST OF THE MEN I KNOW, THEY... 1334 01:23:57,131 --> 01:23:59,383 WHEN WE WERE LITTLE, 1335 01:24:01,009 --> 01:24:05,013 ANNIE WAS A SKINNY, SKINNY LITTLE THING. 1336 01:24:05,013 --> 01:24:08,642 AND ALWAYS GETTIN' IN THE WAY, 1337 01:24:08,642 --> 01:24:11,019 AND FOLLOWIN' BEHIND. 1338 01:24:13,730 --> 01:24:16,942 THEN ONE DAY... 1339 01:24:16,942 --> 01:24:19,236 SHE SHARED HER LUNCH WITH ME. 1340 01:24:20,779 --> 01:24:24,700 AND SHE WASN'T SO SKINNY ANYMORE. 1341 01:24:27,453 --> 01:24:30,998 I'VE BEEN LOOKIN' AFTER HER EVER SINCE. 1342 01:24:41,049 --> 01:24:43,218 YOU KNOW, IT'S OKAY... 1343 01:24:43,218 --> 01:24:46,847 TO LET SOMEBODY LOOK AFTER YOU SOMETIMES. 1344 01:24:54,021 --> 01:24:56,148 I KNEW YOU'D COME. 1345 01:24:56,148 --> 01:24:58,483 [ Sighs ] 1346 01:24:58,483 --> 01:25:00,402 I WAS IN THE NEIGHBORHOOD. 1347 01:25:06,408 --> 01:25:10,204 WE JUST GOT WORD THEY'RE GONNA CHANGE HER MEDICATION. 1348 01:25:10,204 --> 01:25:13,040 SO IT'LL BE A WHILE BEFORE WE KNOW HOW THAT WORKS. 1349 01:25:13,040 --> 01:25:15,834 IN THE MEANTIME, I WANT WILL TO TAKE YOU HOME. 1350 01:25:15,834 --> 01:25:18,212 NO, I'M FINE. WHY DON'T YOU GO LAY DOWN? 1351 01:25:18,212 --> 01:25:19,963 NOW, DON'T FIGHT ME ON THIS. 1352 01:25:19,963 --> 01:25:21,590 YOU GO HOME AND GET SOME SLEEP. 1353 01:25:21,590 --> 01:25:23,508 WILL, YOU'LL TAKE HER, WON'T YOU? 1354 01:25:23,508 --> 01:25:25,636 WHATEVER YOU SAY, POP. ALL RIGHT. 1355 01:25:25,636 --> 01:25:28,013 PLEASE GO DOWNSTAIRS AND GET SOME BREAKFAST. I WILL, I WILL. 1356 01:25:28,013 --> 01:25:30,682 HE AIN'T GONNA LISTEN TO YOU. YOU KNOW HE'S HARDHEADED. 1357 01:25:34,144 --> 01:25:37,022 SORRY, MAMA. I KNOW YOU ARE, BABY. I KNOW IT. 1358 01:25:37,022 --> 01:25:40,067 UNCLE EARL KNOWS IT. IT'S OKAY. REALLY. 1359 01:25:40,067 --> 01:25:42,277 AUNT ANNIE'S GONNA BE FINE. 1360 01:25:42,277 --> 01:25:44,613 WHAT YA GOT THERE? 1361 01:25:44,613 --> 01:25:48,033 LET'S LOOK AT THIS. THIS IS AN AMAZING PICTURE. 1362 01:25:48,033 --> 01:25:51,328 I WAS SHOOTING THIS WHEN I LEFT THE DOOR OPEN. 1363 01:25:51,328 --> 01:25:53,247 MAMA USED TO WAKE UP EARLY IN THE 1364 01:25:53,247 --> 01:25:55,082 MORNING TO SIT ON THAT PORCH... 1365 01:25:55,082 --> 01:25:57,084 AND WAIT FOR THE DEER TO COME BY. 1366 01:25:57,084 --> 01:26:00,087 I THINK SHE'S GONNA LOVE THIS PICTURE. 1367 01:26:00,087 --> 01:26:03,257 - DON'T YOU? - I DO. I REALLY DO. 1368 01:26:03,257 --> 01:26:05,424 MM-HMM. - YOU REALLY THINK SO? 1369 01:26:05,424 --> 01:26:07,886 OH, I KNOW SO. 1370 01:26:10,013 --> 01:26:13,517 SO, WE GOT A PHOTOGRAPHER, HUH? -YEAH. 1371 01:26:22,359 --> 01:26:25,904 - ARE YOU HUNGRY? - IMMENSELY. 1372 01:26:25,904 --> 01:26:28,740 LET'S FRESHEN UP. I'LL COOK. - SOUNDS GOOD TO ME. 1373 01:26:28,740 --> 01:26:31,034 [ Sizzling ] 1374 01:26:35,205 --> 01:26:39,585 WELL, SORRY. ALL WE GOT AROUND HERE IS CHICKEN STUFF. 1375 01:26:39,585 --> 01:26:41,628 I'LL TELL YA. IF THERE'S ANYTHING I 1376 01:26:41,628 --> 01:26:43,589 MISS ABOUT MARIANNA, THAT IS IT. 1377 01:26:43,589 --> 01:26:47,009 WHAT? LIKE YOU CAN'T GET A DECENT SAUSAGE IN ATLANTA. 1378 01:26:47,009 --> 01:26:49,511 OH, YEAH, PORK SAUSAGE. BUT CHICKEN 1379 01:26:49,511 --> 01:26:51,429 SAUSAGE... OH, NO, NO, NO. 1380 01:26:51,429 --> 01:26:53,140 ONCE YOU HAVE ONE PORK SAUSAGE, 1381 01:26:53,140 --> 01:26:55,142 THEY ALL START TO TASTE THE SAME. 1382 01:26:55,142 --> 01:26:57,144 TELL YOU A LITTLE-KNOWN FACT. 1383 01:26:57,144 --> 01:27:00,022 THE OLDER YOU GET, 1384 01:27:00,022 --> 01:27:02,107 THE MORE DIFFICULT IT IS FOR YOUR 1385 01:27:02,107 --> 01:27:04,358 TASTE BUDS TO DISTINGUISH FLAVORS. 1386 01:27:04,358 --> 01:27:08,280 THAT'S WHY ALL THE SPICY FOOD IS SO, UH, TRENDY NOW. 1387 01:27:08,280 --> 01:27:11,658 SO THEY'RE TRENDY, HUH? MM-HMM. 1388 01:27:11,658 --> 01:27:14,368 YEAH. AND WITH CHICKEN TAKIN' THE PLACE OF RED MEAT, 1389 01:27:14,368 --> 01:27:15,954 IT'S JUST A MATTER OF TIME BEFORE 1390 01:27:15,954 --> 01:27:17,539 EVERYBODY'S GONNA GET TIRED... 1391 01:27:17,539 --> 01:27:20,709 OF ALL OF THAT WATERED-DOWN CHICKEN. 1392 01:27:20,709 --> 01:27:22,544 AND THEY GONNA BE WANTIN' MORE KINDS 1393 01:27:22,544 --> 01:27:24,087 OF SPICY CHICKEN TO EAT, HMM? 1394 01:27:24,087 --> 01:27:26,089 I WISH SOMEBODY WOULD TELL THE WORLD ABOUT 1395 01:27:26,089 --> 01:27:28,008 MY DADDY'S 20 FLAVORS OF CHICKEN SAUSAGE. 1396 01:27:28,008 --> 01:27:31,011 WILL, 1397 01:27:31,011 --> 01:27:33,430 WHAT YOU KNOW ABOUT ENTREPRENEUR SAUSAGE? 1398 01:27:36,850 --> 01:27:38,852 [ Chuckles ] 1399 01:27:38,852 --> 01:27:41,354 [ Loretta ] I NEVER HAD ANY DREAMS BEFORE. 1400 01:27:43,023 --> 01:27:46,068 I GUESS IT JUST ROLLED UP INTO ONE BIG ONE. 1401 01:27:46,068 --> 01:27:49,446 [ Will ] AIN'T NOTHIN' WRONG WITH THAT. 1402 01:27:49,446 --> 01:27:52,032 YOU KNOW, WILL, I... 1403 01:27:52,032 --> 01:27:54,117 YOU'RE THE ONE THAT... I MEAN, 1404 01:27:54,117 --> 01:27:57,037 YOU MADE ME FEEL LIKE, LIKE I COULD... 1405 01:27:57,037 --> 01:27:59,790 [ Chuckling ] TAKE OVER THE CHICKEN PLANT. 1406 01:27:59,790 --> 01:28:00,957 [ Laughing ] 1407 01:28:00,957 --> 01:28:05,003 DON'T BE EMBARRASSED. I'M ON YOUR SIDE. 1408 01:28:05,003 --> 01:28:08,423 YEAH. I'D LIKE TO THINK I COULD SOMEHOW HELP THE TOWN... 1409 01:28:08,423 --> 01:28:11,677 AND DO SOMETHING GOOD FOR MY DAD. 1410 01:28:11,677 --> 01:28:14,513 YOUR DADDY IS SO GOOD. 1411 01:28:15,472 --> 01:28:19,559 THAT HE IS. THAT HE IS. 1412 01:28:19,559 --> 01:28:21,770 WELL, WE'LL SEE WHEN WE TALK TO HIM. 1413 01:28:21,770 --> 01:28:23,021 I MEAN, HE MAY FLIP. 1414 01:28:25,023 --> 01:28:29,318 NO, I THINK HE'LL... HE'LL GO ALONG WITH IT PRETTY WELL. 1415 01:28:29,318 --> 01:28:31,113 WHAT I'M THINKING IS THAT MAYBE WE SHOULD 1416 01:28:31,113 --> 01:28:32,781 ALSO TALK TO THE PEOPLE OF THE TOWN. 1417 01:28:32,781 --> 01:28:36,368 YEAH, A GOOD IDEA. BUT YOU... 1418 01:28:36,368 --> 01:28:38,370 I AIN'T GONNA TALK TO 'EM. WHY? 1419 01:28:38,370 --> 01:28:42,040 THEY... THEY THINK I'M... 1420 01:28:43,500 --> 01:28:46,378 YOU DON'T KNOW ME. WELL... 1421 01:28:46,378 --> 01:28:49,131 YOU TALK BETTER THAN ME ANYWAY! 1422 01:28:49,131 --> 01:28:50,048 "I." 1423 01:28:52,467 --> 01:28:56,303 - YOU WHAT? - YOU TALK BETTER THAN "I." 1424 01:28:56,303 --> 01:29:01,101 NO, YOU TALK BETTER THAN ME! THAT'S WHY I SUGGESTED YOU. 1425 01:29:01,101 --> 01:29:03,061 AH. 1426 01:29:03,061 --> 01:29:06,023 [ Will ] PEOPLE TODAY, 1427 01:29:06,023 --> 01:29:08,150 THEY'RE EATING TWICE AS MUCH CHICKEN 1428 01:29:08,150 --> 01:29:10,026 AS THEY EVER DID TEN YEARS AGO. 1429 01:29:11,361 --> 01:29:16,199 AND THAT PLANT IS JUST AS GOOD FOR PROCESSIN' CHICKEN... 1430 01:29:16,199 --> 01:29:19,369 INTO READY-TO-HEAT-AND-EAT AS IT IS FOR CUTTIN' IT UP. 1431 01:29:21,872 --> 01:29:26,042 - DO YOU ALL LOVE THIS TOWN? - [ All Mumbling ] MM-HMM. 1432 01:29:26,042 --> 01:29:29,004 - DO YOU WANT TO SAVE THIS TOWN? - [ Together ] YEAH. SURE. 1433 01:29:29,004 --> 01:29:32,758 THERE'S A WAY YOU CAN DO IT IF YOU GOT VISION. 1434 01:29:32,758 --> 01:29:35,969 SEE NOW... JUST FOLLOW ME HERE. CAN YOU IMAGINE... 1435 01:29:35,969 --> 01:29:38,638 "JUST CHICKEN" RECIPE BOOKS? 1436 01:29:38,638 --> 01:29:41,767 A WHOLE NATIONWIDE CHAIN OF "JUST CHICKEN" RESTAURANTS. 1437 01:29:41,767 --> 01:29:44,102 I'M TELLIN' YOU, THIS THING, IT COULD 1438 01:29:44,102 --> 01:29:46,438 BE BIGGER THAN KING COTTON EVER WAS. 1439 01:29:46,438 --> 01:29:48,690 LORETTA, COME UP. TALK TO THESE PEOPLE. 1440 01:29:48,690 --> 01:29:50,066 YEAH, COME ON, COME ON. 1441 01:29:50,066 --> 01:29:52,027 THEY'RE TIRED OF HEARING ME. 1442 01:29:55,614 --> 01:29:58,408 GO AHEAD. 1443 01:29:58,408 --> 01:30:02,037 YOU KNOW, UH, LIKE WILL WAS SAYIN', 1444 01:30:02,037 --> 01:30:04,790 [ Sighs ] UM, 1445 01:30:04,790 --> 01:30:10,003 I WASN'T BORN HERE, BUT, UH, I KINDA GOT REBORN HERE. 1446 01:30:10,003 --> 01:30:13,006 [ Will ] THAT'S RIGHT. AND, UH, LEARNED... 1447 01:30:13,006 --> 01:30:17,010 TO APPRECIATE "JUST CHICKEN." - THAT'S RIGHT. 1448 01:30:17,010 --> 01:30:20,555 AND, UH, I ALSO FOUND OUT HERE THAT YOU... 1449 01:30:20,555 --> 01:30:24,017 NOBODY'LL DO STUFF FOR YOU. YOU GOT TO DO IT YOURSELF. 1450 01:30:24,017 --> 01:30:25,894 [ Together ] THAT'S RIGHT. 1451 01:30:25,894 --> 01:30:27,604 EVERYBODY SIT AROUND WANTIN' 1452 01:30:27,604 --> 01:30:29,898 SOMEBODY ELSE TO DO STUFF FOR 'EM. 1453 01:30:29,898 --> 01:30:31,066 YOU GOT TO DO IT FOR YOURSELF. 1454 01:30:31,066 --> 01:30:32,442 [ Man ] FOR YOURSELF! THAT'S RIGHT! 1455 01:30:32,442 --> 01:30:34,986 SO I'M ASKIN' YOU. CAN WE DO THIS 1456 01:30:34,986 --> 01:30:37,739 FOR OURSELVES AND FOR OUR CHILDREN? 1457 01:30:37,739 --> 01:30:39,574 - CAN WE DO IT? - [ Together ] YES, WE CAN. 1458 01:30:39,574 --> 01:30:43,286 - CAN YOU DO IT? - YES, WE CAN! WE CAN DO IT! 1459 01:30:43,286 --> 01:30:45,664 [ Mumbling Agreement ] HELL, YEAH, WE CAN DO IT! 1460 01:30:45,664 --> 01:30:48,041 - WE CAN DO IT. - UNCLE EARL! 1461 01:30:48,041 --> 01:30:50,167 [ Crowd Mumbling Agreement ] 1462 01:30:50,167 --> 01:30:53,004 CAN WE DO IT? 1463 01:30:58,844 --> 01:31:01,178 [ Earl ] MAMA'S LOOKIN' PRETTY GOOD, AIN'T SHE? 1464 01:31:01,178 --> 01:31:04,724 [ Will ] SHE'S LOOKIN' BETTER THAN I EXPECTED. 1465 01:31:04,724 --> 01:31:07,184 BUT I'M NOT TOO SURE ABOUT THIS BUSINESS. 1466 01:31:07,184 --> 01:31:10,522 NOW, NOW. DON'T WORRY ABOUT IT. DON'T WORRY ABOUT IT. 1467 01:31:10,522 --> 01:31:14,651 YEAH, IT'S NOT GONNA BE EASY FINDIN' A GOOD FOOD COMPANY. 1468 01:31:14,651 --> 01:31:18,280 BUT, WE'LL KEEP OUR HOPES UP. HELL, THERE'S... 1469 01:31:18,280 --> 01:31:20,282 I'LL DO WHAT I CAN FROM ATLANTA, 1470 01:31:20,282 --> 01:31:23,285 THEN YOU'RE GONNA HAVE TO FIND A GOOD LAWYER HERE IN MARIANNA. 1471 01:31:23,285 --> 01:31:25,662 SOUNDS COMPLICATED. 1472 01:31:25,662 --> 01:31:27,956 I GUESS THE GOOD PART IS, YOU'LL BE 1473 01:31:27,956 --> 01:31:30,250 COMING BACK HERE MORE OFTEN, HUH? 1474 01:31:30,250 --> 01:31:33,003 YEAH, IT LOOKS THAT WAY. - ALL RIGHT. 1475 01:31:34,838 --> 01:31:39,259 YOU... YOU KNOW, YOU REALLY SHOULD COME TO ATLANTA TO VISIT. 1476 01:31:39,259 --> 01:31:43,179 I MEAN, SPEND SOME TIME TO GET TO KNOW US A LITTLE BIT BETTER. 1477 01:31:43,179 --> 01:31:47,225 BEIN' THAT WE DO HAVE THAT FANCY HOUSE WITH ALL THAT SPACE. 1478 01:31:47,225 --> 01:31:49,227 SOUNDS GOOD. 1479 01:31:49,227 --> 01:31:51,938 I'M GETTIN' READY TO GO BACK TO CHICAGO SOON. 1480 01:31:51,938 --> 01:31:55,107 BUT IF YOU AND THE BOYS GET UP THERE, 1481 01:31:55,107 --> 01:31:57,109 Y'ALL CAN BRING MONICA. 1482 01:31:57,109 --> 01:32:00,447 CHECK INTO THE RITZ, AND I'D COME STAY WITH YOU UP THERE. 1483 01:32:00,447 --> 01:32:02,824 [ Chuckling ] ALL RIGHT. 1484 01:32:02,824 --> 01:32:05,160 I'LL KEEP THAT IN MIND. 1485 01:32:07,037 --> 01:32:09,748 ALL RIGHT, POP. YEAH. 1486 01:32:09,748 --> 01:32:12,124 TAKE CARE OF YOURSELF. OKAY. I'LL BE TALKIN' TO YOU SOON. 1487 01:32:12,124 --> 01:32:15,003 ALL RIGHT. GOOD-BYE. 1488 01:32:15,003 --> 01:32:17,881 BYE, WILL. THANKS. 1489 01:32:17,881 --> 01:32:20,800 BRAINS DO RUN IN THE FAMILY, DON'T THEY? [ Chuckles ] 1490 01:32:27,515 --> 01:32:30,185 WELL, 1491 01:32:30,185 --> 01:32:32,102 THERE HE GOES. 1492 01:32:34,021 --> 01:32:37,525 HOW YOU FEEL ABOUT THAT? 1493 01:32:37,525 --> 01:32:40,027 HE'LL BE BACK. 1494 01:32:42,697 --> 01:32:46,868 YOU KNOW, I COULD USE YOU DOWN HERE. 1495 01:32:49,036 --> 01:32:51,289 IT HAD CROSSED MY MIND. 1496 01:32:51,289 --> 01:32:54,041 AND? 1497 01:32:54,041 --> 01:32:56,043 WHAT ABOUT ROSA LYNN? 1498 01:32:56,043 --> 01:33:01,006 YOU KNOW MAMA AIN'T GOIN' NOWHERE. YEAH. 1499 01:33:01,006 --> 01:33:03,635 PLUS I GOT UNFINISHED BUSINESS TO ATTEND TO IN CHICAGO. 1500 01:33:03,635 --> 01:33:06,638 WELL, 1501 01:33:06,638 --> 01:33:11,685 WHAT IF I JUST SORTA LET YOU... RUN THE RESTAURANT? 1502 01:33:11,685 --> 01:33:15,522 WELL, IT'LL GIVE YOU A STRONG START, 1503 01:33:15,522 --> 01:33:18,191 AND I'D HAVE MORE TIME WITH ANNIE. 1504 01:33:18,191 --> 01:33:21,444 [ Gasps ] 1505 01:33:21,444 --> 01:33:23,988 I DON'T KNOW WHAT TO SAY. 1506 01:33:25,699 --> 01:33:27,951 WELL, THINK ABOUT IT. 1507 01:33:40,130 --> 01:33:42,090 ANNIE? 1508 01:33:43,633 --> 01:33:45,552 MAMA. 1509 01:33:48,012 --> 01:33:50,140 MAMA! 1510 01:33:50,140 --> 01:33:53,017 YES, IT'S MAMA. 1511 01:33:53,017 --> 01:33:56,020 MAMA. [ Chuckling ] 1512 01:33:56,020 --> 01:33:58,022 YES, ANNIE. 1513 01:33:58,022 --> 01:34:00,817 [ Chuckling ] MAMA. 1514 01:34:00,817 --> 01:34:03,111 YEAH, IT'S YOUR MAMA. 1515 01:34:04,863 --> 01:34:07,032 YOU HAVE TO BE CAREFUL, GIRL! 1516 01:34:07,032 --> 01:34:09,034 [ Whimpering ] 1517 01:34:09,034 --> 01:34:11,870 OH, PRETTY GIRL! - MAMA. 1518 01:34:11,870 --> 01:34:13,872 YES, IT'S YOUR MAMA. 1519 01:34:19,127 --> 01:34:22,338 I'LL SAY HI TO DANIEL. I'LL SAY HI TO NICK FOR YOU. 1520 01:34:22,338 --> 01:34:24,132 YOU PLEASE TELL ZENIA HOW MUCH I 1521 01:34:24,132 --> 01:34:26,676 APPRECIATE HER LOOKIN' AFTER TRACY FOR ME. 1522 01:34:26,676 --> 01:34:28,303 YES, I WILL. AND LET REVEREND FLOYD 1523 01:34:28,303 --> 01:34:29,679 KNOW HOW GRATEFUL YOU ARE... 1524 01:34:29,679 --> 01:34:32,057 HE'S MAKING ROOM IN THAT CLASS FOR YOU. OKAY. 1525 01:34:32,057 --> 01:34:35,185 SING TO ANNIE. SHE REALLY LIKES TO JAW. 1526 01:34:35,185 --> 01:34:37,145 ALL RIGHT, COME ON. WE'RE GONNA MISS 1527 01:34:37,145 --> 01:34:38,937 THE BUS. ALL RIGHT, HERE I COME. 1528 01:34:38,937 --> 01:34:41,149 BYE. BYE-BYE. 1529 01:34:41,149 --> 01:34:43,818 OH! [ Kisses ] 1530 01:34:43,818 --> 01:34:46,404 HEY. GIVE ME A HUG. OOH! 1531 01:34:46,404 --> 01:34:49,657 I'LL KISS YOU FOR GRANDMA. OKAY. Y'ALL BE CAREFUL. 1532 01:34:49,657 --> 01:34:51,950 BYE. YOU HAVE FUN. 1533 01:35:01,461 --> 01:35:03,421 [ Loretta Laughing ] 1534 01:35:03,421 --> 01:35:05,006 I SWEAR. HE WAS SCREAMIN' AND 1535 01:35:05,006 --> 01:35:07,008 HOPPIN' 'ROUND LIKE A LITTLE WOMAN. 1536 01:35:07,008 --> 01:35:10,595 IT WAS A LITTLE OL' BITTY, JUST DEAD GARDEN, 1537 01:35:10,595 --> 01:35:15,016 NO BIGGER THAN A PENCIL SNAKE. [ Laughing ] 1538 01:35:15,016 --> 01:35:18,228 OH, I'M MISSING THAT BOY! 1539 01:35:18,228 --> 01:35:21,731 THERE AIN'T NO REASON YOU CAN'T COME DOWN AND STAY WITH US. 1540 01:35:21,731 --> 01:35:25,735 MM. IT ISN'T ME EARL WANTS DOWN THERE. 1541 01:35:25,735 --> 01:35:29,489 IT'S YOU. THE ONLY REASON HE WOULD WANT ME AROUND... 1542 01:35:29,489 --> 01:35:32,866 IS SO HE CAN GET HIS HANDS ON NATHAN. 1543 01:35:32,866 --> 01:35:36,746 WELL, I GUESS HE FEELS LIKE IF NATHAN WAS DOWN THERE, 1544 01:35:36,746 --> 01:35:40,041 THINGS MIGHT START TO LOOK FOR THE BETTER AGAIN. 1545 01:35:40,041 --> 01:35:43,044 HE TELL YOU TO SAY THAT? 1546 01:35:43,044 --> 01:35:47,966 NAH. I JUST... I COULD TELL. 1547 01:35:47,966 --> 01:35:50,510 WELL, MAYBE NATHAN NEEDED TO STAY UP HERE 1548 01:35:50,510 --> 01:35:53,012 TO LOOK AFTER US AFTER YOUR FATHER DIED. 1549 01:35:53,012 --> 01:35:55,682 EARL EVER STOP TO THINK ABOUT THAT? 1550 01:35:55,682 --> 01:35:58,434 AND WHO DO YOU THINK NATHAN IS GONNA BE PASSED 1551 01:35:58,434 --> 01:36:01,020 ALONG TO IF HE GOES BACK DOWN TO THE DELTA? 1552 01:36:01,020 --> 01:36:04,607 HAVE YOU THOUGHT ABOUT THAT? OKAY. 1553 01:36:04,607 --> 01:36:06,776 OKAY. 1554 01:36:09,988 --> 01:36:12,490 MOM? - HMM? 1555 01:36:12,490 --> 01:36:16,035 WHY DIDN'T YOU EVER TELL ME THE WHOLE STORY OF NATHAN? 1556 01:36:16,035 --> 01:36:18,037 WELL, 1557 01:36:18,037 --> 01:36:22,041 WHEN YOUR FATHER DIED, 1558 01:36:22,041 --> 01:36:26,171 YOU WERE TOO YOUNG TO REALLY UNDERSTAND IT. 1559 01:36:26,171 --> 01:36:28,839 AND LATER ON, I WASN'T SURE THE TIME WAS 1560 01:36:28,839 --> 01:36:31,718 EVER RIGHT FOR YOU TO REALLY APPRECIATE IT. 1561 01:36:31,718 --> 01:36:36,847 I THOUGHT IT WAS BEST TO JUST KEEP HIM SAFELY PUT AWAY... 1562 01:36:36,847 --> 01:36:41,019 UNTIL THINGS GOT BETTER. 1563 01:36:43,021 --> 01:36:47,942 SO, EARL TOLD YOU ALL ABOUT NATHAN. 1564 01:36:47,942 --> 01:36:50,570 ABOUT HOW JESSE TOOK HIM FROM THE 1565 01:36:50,570 --> 01:36:53,573 SAME FAMILY THAT KEPT HIM AS A SLAVE. 1566 01:36:53,573 --> 01:36:56,034 NO WONDER IT MEANT SO MUCH TO HIM. 1567 01:36:56,034 --> 01:36:59,037 BUT DID HE TELL YOU ABOUT WHAT HAPPENED TO JESSE... 1568 01:36:59,037 --> 01:37:01,372 WHEN HE WAS A LITTLE BOY? 1569 01:37:01,372 --> 01:37:04,959 MM. 1570 01:37:04,959 --> 01:37:06,961 JESSE WAS JUST A LITTLE BOY... 1571 01:37:06,961 --> 01:37:11,549 WHEN THE WHITE SINCLAIRS FIRST CAME OVER FROM ALABAMA. 1572 01:37:11,549 --> 01:37:14,760 AND THEY DIDN'T COME OVER WITH MUCH, 1573 01:37:14,760 --> 01:37:19,015 JUST WITH THEIR ANIMALS AND THEIR SLAVES. 1574 01:37:20,183 --> 01:37:24,020 AND TO GET THE LAND AND THINGS THEY NEEDED, 1575 01:37:24,020 --> 01:37:27,690 THEY HAD TO SELL OFF A FEW OF THEIR SLAVES. 1576 01:37:27,690 --> 01:37:31,569 JESSE WAS ONLY SIX YEARS OLD... 1577 01:37:31,569 --> 01:37:35,031 WHEN HE LOST HIS FATHER THAT WAY. 1578 01:37:35,031 --> 01:37:37,116 SOLD AWAY... 1579 01:37:37,116 --> 01:37:40,453 RIGHT BEFORE HIS VERY EYES. 1580 01:37:40,453 --> 01:37:44,374 HIS MOTHER NEVER GOT OVER IT. 1581 01:37:44,374 --> 01:37:47,709 AND JESSE... 1582 01:37:47,709 --> 01:37:51,464 JESSE... NEVER, 1583 01:37:51,464 --> 01:37:54,592 NEVER EVER FORGOT IT. 1584 01:37:54,592 --> 01:37:59,097 SO TAKIN' NATHAN WAS HIS WAY OF GETTIN' BACK AT 'EM? 1585 01:37:59,097 --> 01:38:01,057 IN A WAY. 1586 01:38:04,852 --> 01:38:08,022 HE TOOK THAT CANDELABRA... 1587 01:38:08,022 --> 01:38:12,193 AND HE SET OFF, SET OFF TO FIND HIS FATHER. 1588 01:38:14,988 --> 01:38:18,699 BUT HE DIDN'T FIND HIM, NOT EVEN A CLUE. 1589 01:38:18,699 --> 01:38:21,494 AFTER A WHILE, 1590 01:38:21,494 --> 01:38:26,291 HE DECIDED IT WAS TIME TO GET ON WITH THINGS. 1591 01:38:26,291 --> 01:38:30,628 SO HE WENT HOME AND STARTED A NEW FAMILY. 1592 01:38:30,628 --> 01:38:34,715 AND ALL HIS LIFE, HE DID EVERYTHING HE COULD... 1593 01:38:34,715 --> 01:38:36,717 TO KEEP HIS FAMILY TOGETHER. 1594 01:38:41,514 --> 01:38:43,808 BUT SOMETIMES... 1595 01:38:43,808 --> 01:38:46,811 SOMETIMES THAT ISN'T EASY. 1596 01:38:56,070 --> 01:38:58,489 I CAN APPRECIATE THAT, MAMA. 1597 01:39:03,036 --> 01:39:06,039 WAS JESSE'S FATHER NAMED NATHAN? 1598 01:39:06,039 --> 01:39:08,499 MM-HMM. 1599 01:39:08,499 --> 01:39:12,337 YES. HIS NAME WAS NATHAN. 1600 01:39:14,339 --> 01:39:16,883 AND HE WAS TRADED OFF, 1601 01:39:16,883 --> 01:39:20,011 TRADED AWAY... 1602 01:39:20,011 --> 01:39:22,555 FOR THIS SILVER CANDELABRA. 1603 01:39:22,555 --> 01:39:25,892 [ Woman Singing ] ♪ HEY, HEY, HEY ♪ 1604 01:39:25,892 --> 01:39:31,688 ♪ WHOA, WHOA-O ♪ 1605 01:39:31,688 --> 01:39:34,442 ♪ WHOA, WHOA-O ♪ 1606 01:39:34,442 --> 01:39:37,028 ♪♪ [ Woman Vocalizing ] 1607 01:39:57,382 --> 01:40:00,592 ♪♪ [ Chorus Vocalizing ] 1608 01:40:11,979 --> 01:40:14,440 ♪♪ [ Continues ] 1609 01:40:40,383 --> 01:40:42,718 MY, MY, MY. 1610 01:40:42,718 --> 01:40:44,720 MM-HMM. 1611 01:40:44,720 --> 01:40:49,225 LOOKS ABOUT THE SAME, BUT WE MADE A LOT OF CHANGES INSIDE. 1612 01:40:49,225 --> 01:40:52,019 I'VE NEVER EVEN BEEN INSIDE THE BIG HOUSE BEFORE. 1613 01:40:52,019 --> 01:40:56,149 - GRANDMA ROSA! - [ Laughing ] 1614 01:40:57,566 --> 01:41:02,029 OH! AREN'T YOU A SIGHT FOR THESE TIRED OLD EYES! 1615 01:41:02,029 --> 01:41:03,948 WHERE'D YOU GET THOSE FANCY SNEAKERS? 1616 01:41:03,948 --> 01:41:05,283 MAMA BOUGHT 'EM FOR ME. 1617 01:41:05,283 --> 01:41:08,035 WHAT ABOUT MAMA? DID YOU GET ME A PRESENT? 1618 01:41:08,035 --> 01:41:11,580 IS THAT ALL THE WELCOME I GET? GIMME, GIMME, GIMME? 1619 01:41:11,580 --> 01:41:15,042 COME HERE! TELL ME WHAT SCHOOL'S LIKE DOWN HERE. 1620 01:41:15,042 --> 01:41:17,003 IT'S DIFFERENT. 1621 01:41:17,003 --> 01:41:19,172 THEY DON'T SEARCH YOU OR YELL AT 1622 01:41:19,172 --> 01:41:21,632 YOU OR NOTHIN'. IT'S HARD, THOUGH. 1623 01:41:21,632 --> 01:41:24,302 HMM. TAKE THIS ON UP TO THE HOUSE. 1624 01:41:24,302 --> 01:41:27,722 AND DON'T YOU DARE LOOK IN THERE TILL I GET THERE. HEY! 1625 01:41:41,526 --> 01:41:43,988 MAKE YOURSELF COMFORTABLE. 1626 01:41:44,697 --> 01:41:46,699 THANK YOU. 1627 01:41:50,286 --> 01:41:52,788 WHERE'S TRACY? 1628 01:41:56,667 --> 01:42:00,838 BYE-BYE. BYE-BYE. 1629 01:42:00,838 --> 01:42:04,217 WELL! 1630 01:42:04,217 --> 01:42:08,012 AREN'T YOU LITTLE MISS AMAZING! 1631 01:42:08,012 --> 01:42:10,681 [ Laughing, Kisses ] 1632 01:42:12,016 --> 01:42:15,019 BYE-BYE. BYE-BYE. 1633 01:42:15,019 --> 01:42:17,021 BYE-BYE. BYE-BYE. 1634 01:42:25,947 --> 01:42:29,283 [ Laughing ] HEY, GIRL! - I MISSED YOU. 1635 01:42:29,283 --> 01:42:33,204 I BET YOU DID. - I SURE DID. OH, FOR ME? 1636 01:42:33,204 --> 01:42:35,081 YOU GOTTA COME TO THE HOUSE TONIGHT. 1637 01:42:35,081 --> 01:42:36,498 YOU GOT A NEW BED? 1638 01:42:36,498 --> 01:42:38,876 YEAH. I GOT A NEW BED WITH LEON COMIN' OVER. WELL, NO! 1639 01:42:38,876 --> 01:42:41,754 COME ON. HE'S BRINGIN' FRIENDS WITH HIM. OH, YEAH! 1640 01:42:41,754 --> 01:42:44,298 [ Both Laughing ] YOU'RE LOOKIN' GOOD. 1641 01:42:45,383 --> 01:42:48,177 THOMAS! 1642 01:42:48,177 --> 01:42:50,388 YES, MAMA? FOR YOU. 1643 01:42:50,388 --> 01:42:53,057 THANK YOU. UNCLE EARL! 1644 01:42:53,057 --> 01:42:57,895 WHOA! LOOK AT THIS. IT'S PHAT NEW! 1645 01:42:57,895 --> 01:43:00,022 NEVER BEEN USED BY ANYBODY. 1646 01:43:00,022 --> 01:43:03,150 GOT SOMETHIN' FOR YA. HMM? WELL... 1647 01:43:31,971 --> 01:43:33,889 WELL. 1648 01:43:37,018 --> 01:43:39,020 MY, YES. 1649 01:43:40,855 --> 01:43:44,609 NATHAN RIGHTFULLY BELONGS TO YOU, 1650 01:43:44,609 --> 01:43:47,612 LORETTA. 1651 01:44:14,805 --> 01:44:17,058 WHY DO YOU CALL IT NATHAN ANYWAY? 1652 01:44:30,029 --> 01:44:32,531 LET ME TELL YOU A STORY... 1653 01:44:32,531 --> 01:44:36,452 ABOUT A FAMILY STAYIN' TOGETHER. 1654 01:44:39,038 --> 01:44:42,041 REMEMBER WHEN YOUR UNCLE EARL TOLD YOU ABOUT... 1655 01:44:42,041 --> 01:44:45,878 YOUR GREAT-GREAT-GREAT GRANDDADDY JESSE? 1656 01:44:45,878 --> 01:44:47,838 MM-HMM. 1657 01:44:47,838 --> 01:44:52,300 WELL, WHEN JESSE WAS A BOY, 1658 01:44:54,344 --> 01:44:57,264 JUST A FEW YEARS YOUNGER THAN YOU, 1659 01:44:59,517 --> 01:45:01,560 HIS FATHER... 1660 01:45:05,022 --> 01:45:09,443 [ Woman ] ♪ THEY UNFOLDED YOUR LIVES ♪ 1661 01:45:09,443 --> 01:45:12,488 ♪ ONE BY ONE ♪ 1662 01:45:12,488 --> 01:45:16,534 ♪ THEY LAID OUT YOUR PATCHWORK ♪ 1663 01:45:16,534 --> 01:45:19,870 ♪ UNDER THE SUN ♪ 1664 01:45:19,870 --> 01:45:23,541 ♪ AND PEOPLE GATHER ♪ 1665 01:45:23,541 --> 01:45:27,002 ♪ FROM MILES AROUND ♪ 1666 01:45:27,002 --> 01:45:30,296 ♪ TO WITNESS YOUR QUILT ♪ 1667 01:45:30,296 --> 01:45:35,010 ♪ SPREAD ON THE GROUND ♪ 1668 01:45:35,010 --> 01:45:41,559 ♪ AND THEN THEY CALL OUT YOUR NAME ♪ 1669 01:45:41,559 --> 01:45:46,939 ♪ OH YES, THEY CALL OUT YOUR NAME ♪ 1670 01:45:46,939 --> 01:45:49,191 [ Chorus ] ♪ CALL YOUR NAME ♪ 1671 01:45:49,191 --> 01:45:54,739 ♪ OH, AND YOU LIVE FOREVER ♪ 1672 01:45:54,739 --> 01:45:58,576 ♪ YOU KNOW THAT I'LL BE LOVIN' YOU ♪ 1673 01:45:58,576 --> 01:46:02,245 ♪ JUST LIKE A PATCHWORK QUILT ♪ 1674 01:46:02,245 --> 01:46:06,000 ♪ OOH-OOH-OOH ♪ 1675 01:46:06,000 --> 01:46:09,086 ♪ DO-DO-DO-DO ♪ 1676 01:46:09,086 --> 01:46:13,214 ♪ OOH-OOH-OOH ♪ 1677 01:46:13,214 --> 01:46:16,635 ♪ DO-DO-DO-DO-DO-DO ♪ 1678 01:46:16,635 --> 01:46:21,015 ♪ WELL, THERE WERE MEN AND WOMEN ♪ 1679 01:46:21,015 --> 01:46:25,019 ♪ AND MOTHERS AND FATHERS ♪ 1680 01:46:25,019 --> 01:46:28,271 ♪ SISTERS AND BROTHERS ♪ 1681 01:46:28,271 --> 01:46:31,859 ♪ AND DAUGHTERS AND SONS ♪ 1682 01:46:31,859 --> 01:46:35,529 ♪ AND CHILDREN AND BABIES ♪ 1683 01:46:35,529 --> 01:46:39,033 ♪ AND LOVERS AND FRIENDS ♪ 1684 01:46:39,033 --> 01:46:43,162 ♪ THEY ALL LAY BEFORE ME ♪ 1685 01:46:43,162 --> 01:46:47,166 ♪ SEWN INTO ONE ♪ 1686 01:46:47,166 --> 01:46:54,340 ♪ AND THEN THEY CALL OUT YOUR NAMES ♪ 1687 01:46:54,340 --> 01:46:59,303 ♪ OH YES, THEY CALL OUT YOUR NAME ♪ 1688 01:46:59,303 --> 01:47:01,597 ♪ CALL YOUR NAME ♪ 1689 01:47:01,597 --> 01:47:07,102 ♪ OH, AND YOU LIVE FOREVER ♪ 1690 01:47:07,102 --> 01:47:11,023 ♪ YOU KNOW THAT I'LL BE LOVIN' YOU ♪ 1691 01:47:11,023 --> 01:47:14,610 ♪ JUST LIKE A PATCHWORK QUILT ♪ 1692 01:47:14,610 --> 01:47:18,864 ♪ OOH-OOH-OOH ♪ ♪ OOH-OOH-OOH ♪ 1693 01:47:18,864 --> 01:47:21,659 ♪ DO-DO-DO-DO-DO-DO ♪ 1694 01:47:21,659 --> 01:47:26,580 ♪ OOH-OOH-OOH ♪ ♪ DO-DO-DO-DO-DO ♪ 1695 01:47:26,580 --> 01:47:29,834 ♪ DO-DO-DO-DO-DO-DO ♪ 1696 01:47:29,834 --> 01:47:33,211 ♪ OH, YOUR LIVES HAD MEANING ♪ 1697 01:47:33,211 --> 01:47:36,799 ♪ AND YOUR LIVES HAD JOY ♪ 1698 01:47:36,799 --> 01:47:40,261 ♪ YOU TOUCHED SO MANY PEOPLE ♪ 1699 01:47:40,261 --> 01:47:43,889 ♪ MANY MORE THAN YOU WILL KNOW ♪ 1700 01:47:43,889 --> 01:47:47,393 ♪ AND YOU'LL WRAP YOURSELF AROUND ME ♪ 1701 01:47:47,393 --> 01:47:51,021 ♪ AS I WALK DOWN THESE ROADS ♪ 1702 01:47:51,021 --> 01:47:54,900 ♪ YOU'RE LETTING ME FEEL ♪ 1703 01:47:54,900 --> 01:47:59,195 ♪ YOUR BEAUTIFUL SOULS ♪ 1704 01:47:59,195 --> 01:48:01,490 ♪ I FEEL THE WARMTH ♪ 1705 01:48:01,490 --> 01:48:06,537 ♪ OF YOUR LIVES ♪ 1706 01:48:06,537 --> 01:48:08,873 ♪ I FEEL THE WARMTH ♪ 1707 01:48:08,873 --> 01:48:14,003 ♪ OF YOUR LIVES ♪ 1708 01:48:14,003 --> 01:48:19,842 ♪ OH, AND YOU WILL LIVE FOREVER ♪ 1709 01:48:19,842 --> 01:48:23,387 ♪ YOU KNOW THAT I'LL BE LOVIN' YOU ♪ 1710 01:48:23,387 --> 01:48:27,182 ♪ JUST LIKE A PATCHWORK QUILT ♪ 1711 01:48:27,182 --> 01:48:30,436 ♪ OOH-OOH-OOH ♪ ♪ OOH-OOH-OOH ♪ 1712 01:48:30,436 --> 01:48:34,189 ♪ DO-DO-DO-DO-DO-DO ♪ 1713 01:48:34,189 --> 01:48:38,151 ♪ OOH-OOH-OOH ♪ ♪ OOH-OOH-OOH ♪ 1714 01:48:38,151 --> 01:48:43,032 ♪ DO-DO-DO-DO-DO-DO ♪ 1715 01:48:43,032 --> 01:48:46,493 ♪ MY HEART SPILLS OVER ♪ 1716 01:48:46,493 --> 01:48:49,788 ♪ FLOWING WITH TEARS ♪ 1717 01:48:49,788 --> 01:48:53,208 ♪ I CRY FOR YOUR SUFFERING ♪ 1718 01:48:53,208 --> 01:48:57,004 ♪ AND FOR YOUR SHORTENED YEARS ♪ 1719 01:48:57,004 --> 01:49:00,758 ♪ AND I'LL TAKE YOU WITH ME ♪ 1720 01:49:00,758 --> 01:49:04,303 ♪ AS I WALK AWAY ♪ 1721 01:49:04,303 --> 01:49:07,222 ♪ REMEMBERING YOU ♪ 1722 01:49:07,222 --> 01:49:12,227 ♪ WHO HAVE DIED WITH AIDS ♪ 1723 01:49:12,227 --> 01:49:19,485 ♪ YES, I REMEMBER YOUR NAMES ♪ 1724 01:49:19,485 --> 01:49:26,867 ♪ YES, I REMEMBER YOUR NAMES ♪ 1725 01:49:26,867 --> 01:49:32,623 ♪ OH, AND YOU WILL LIVE FOREVER ♪ 1726 01:49:32,623 --> 01:49:36,210 ♪ YOU KNOW THAT I'LL BE LOVIN' YOU ♪ 1727 01:49:36,210 --> 01:49:40,004 ♪ JUST LIKE A PATCHWORK QUILT ♪ 1728 01:49:40,004 --> 01:49:43,634 ♪ OOH-OOH-OOH ♪ ♪ I'LL BE LOVIN' YOU ♪ 1729 01:49:43,634 --> 01:49:47,011 ♪ LIKE A PATCHWORK QUILT ♪ 1730 01:49:47,011 --> 01:49:51,850 ♪ OOH-OOH ♪ ♪ I'LL BE LOVIN' YOU ♪ 1731 01:49:51,850 --> 01:49:54,018 ♪ LIKE A PATCHWORK QUILT ♪ 1732 01:49:54,018 --> 01:49:58,565 ♪ I'LL BE LOVIN' YOU ♪ ♪ I'LL BE LOVIN' YOU ♪ 1733 01:49:58,565 --> 01:50:01,402 ♪ LIKE A PATCHWORK QUILT ♪ 1734 01:50:01,402 --> 01:50:05,029 ♪ AAAH ♪♪ 1735 01:50:07,866 --> 01:50:15,874 ♪♪ 1736 01:50:22,548 --> 01:50:24,383 ♪ OOH ♪ 1737 01:50:24,383 --> 01:50:27,553 ♪ I TOOK YOUR PRESENT ♪ 1738 01:50:27,553 --> 01:50:30,347 ♪ FOR GRANTED ♪ 1739 01:50:31,932 --> 01:50:36,145 ♪ I NEVER STOPPED TO THINK HOW GOOD ♪ 1740 01:50:36,145 --> 01:50:40,691 ♪ I HADN'T KNOWN ♪ 1741 01:50:40,691 --> 01:50:48,032 ♪ THAT EVEN THROUGH MY UPS AND DOWNS ♪ 1742 01:50:48,032 --> 01:50:54,038 ♪ YOU WERE THE MOST CONSISTENT ONE AROUND ♪ 1743 01:50:54,038 --> 01:50:59,501 ♪ I KNOW THE SUN WILL SHINE ♪ ♪ SHINE ON, SHINE ON ♪ 1744 01:50:59,501 --> 01:51:02,379 ♪ EVERY DAY ♪ 1745 01:51:02,379 --> 01:51:05,841 ♪ WHEN TIMES ARE BAD YOU FIND A WAY ♪ 1746 01:51:05,841 --> 01:51:08,135 ♪ TO MAKE IT BETTER ♪ 1747 01:51:08,135 --> 01:51:12,306 ♪ I'M IN DEBT TO YOU FOREVER ♪ 1748 01:51:12,306 --> 01:51:15,142 ♪ YES ♪ ♪ WHO WILL I BE WITHOUT YOU ♪ 1749 01:51:15,142 --> 01:51:19,271 ♪ WHO WILL I BE WITHOUT YOU ♪ 1750 01:51:19,271 --> 01:51:24,318 ♪ HOW WOULD I DO THE THINGS I DO ♪ 1751 01:51:24,318 --> 01:51:27,029 ♪ WITHOUT YOU ♪ ♪ WITHOUT YOU ♪ 1752 01:51:27,029 --> 01:51:31,908 ♪ I KNOW YOU UNDERSTAND ♪ 1753 01:51:31,908 --> 01:51:35,245 ♪ NO ONE IS AN ISLAND ♪ 1754 01:51:35,245 --> 01:51:38,540 ♪ WITHOUT YOU ♪ 1755 01:51:38,540 --> 01:51:44,004 ♪ OOH, YOU ARE MY LIFE YOU ARE MY WATER ♪ 1756 01:51:44,004 --> 01:51:46,507 ♪ YOU'RE MY BREAD ♪ ♪ WHAT WOULD I DO ♪ 1757 01:51:46,507 --> 01:51:52,679 ♪ WHERE WOULD I BE ♪ ♪ WHERE WOULD I BE ♪ 1758 01:51:52,679 --> 01:52:00,437 ♪ WITHOUT YOU ♪♪